{"id":14894,"date":"2014-12-03T08:15:55","date_gmt":"2014-12-03T07:15:55","guid":{"rendered":"http:\/\/localhost:81\/brandini\/index.php\/giacometti-and-his-immense-fragile-poetic-human-figures\/"},"modified":"2016-07-01T19:31:27","modified_gmt":"2016-07-01T17:31:27","slug":"giacometti-and-his-immense-fragile-poetic-human-figures","status":"publish","type":"post","link":"https:\/\/www.beatricebrandini.it\/en\/giacometti-and-his-immense-fragile-poetic-human-figures\/","title":{"rendered":"Giacometti and his &#8220;immense&#8221;, fragile, poetic, human figures."},"content":{"rendered":"<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/1-giacometti.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-10382 size-large\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/1-giacometti-890x1024.jpg\" alt=\"1 giacometti\" width=\"640\" height=\"736\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/1-giacometti-890x1024.jpg 890w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/1-giacometti-260x300.jpg 260w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/1-giacometti.jpg 1000w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p><strong>Manifesto exhibition Giacometti <\/strong><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/2-Annette.jpg\"><img decoding=\"async\" class=\"alignnone wp-image-10404 size-large\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/2-Annette-682x1024.jpg\" alt=\"2 Annette\" width=\"640\" height=\"961\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/2-Annette-682x1024.jpg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/2-Annette-200x300.jpg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/2-Annette.jpg 720w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p><b>&#8220;Annetta&#8221; Beatrice Brandini<\/b><\/p>\n<p><b>Until February 1 2015 at GAM in Milan there is a beautiful exhibition of Alberto Giacometti, curated by Catherine Grenier, director of the Foundation Alberto and Annette Giacometti in Paris.<!--more--><\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/3-la-grande-donna-IV.jpg\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-10384\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/3-la-grande-donna-IV-199x300.jpg\" alt=\"3 la grande donna IV\" width=\"199\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/3-la-grande-donna-IV-199x300.jpg 199w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/3-la-grande-donna-IV.jpg 682w\" sizes=\"(max-width: 199px) 100vw, 199px\" \/><\/a><\/p>\n<p><b>Alberto Giacometti &#8220;The big woman IV&#8221;, a work on show<\/b><\/p>\n<p><b>The exhibition sponsored by the City of Milan and 24 HOURS Culture, presents a path featuring 63 works, including sculptures, paintings, drawings and photos, highlighting one of the greatest sculptors of the twentieth century.<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/4-GiacomettiAnnette.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10385\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/4-GiacomettiAnnette-200x300.jpg\" alt=\"4 GiacomettiAnnette\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/4-GiacomettiAnnette-200x300.jpg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/4-GiacomettiAnnette-684x1024.jpg 684w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Alberto Giacometti &#8220;Annette&#8221;<\/b><\/p>\n<p>Alberto Giacometti was born in Switzerland, the father is a post impressionist painter that will pass the passion for art very soon. In fact, the great artist begins to paint and sculpt a young man, showing great talent and a penchant for sculpture, tilt that will take him only eighteen years in Paris, to take lessons and courses in sculpture.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10387\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/5-255x300.jpg\" alt=\"5\" width=\"255\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/5-255x300.jpg 255w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/5-871x1024.jpg 871w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/5.jpg 1089w\" sizes=\"(max-width: 255px) 100vw, 255px\" \/><\/a><\/p>\n<p><b>View of a room of GAM in Milan<\/b><\/p>\n<p>For a time, he moved to Rome where he is passionate work of Giotto and Tintoretto.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/6-donna-che-cammina.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10388\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/6-donna-che-cammina-170x300.jpg\" alt=\"6 donna che cammina\" width=\"170\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/6-donna-che-cammina-170x300.jpg 170w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/6-donna-che-cammina.jpg 582w\" sizes=\"(max-width: 170px) 100vw, 170px\" \/><\/a><\/p>\n<p><b>Alberto Giacometti&#8217;s &#8220;Woman Walking&#8221;, a work on show<\/b><\/p>\n<p>Member of the surrealist movement, they come off early enough to take a very personal artistic language. Actually for Giacometti&#8217;s imagination and the unconscious are important, but also the reality with its strong references (sexuality is one of these). Idealization of the figures in myth, we are moving towards a direct observation of reality.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/7-la-radura.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10389\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/7-la-radura-300x245.jpg\" alt=\"7 la radura\" width=\"300\" height=\"245\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/7-la-radura-300x245.jpg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/7-la-radura.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Alberto Giacometti &#8220;The clearing&#8221;, a work on show<\/b><\/p>\n<p>Giacometti fact was not inclined to intellectualism that were part of the artistic currents and its posters (cubism, surrealism &#8230;), in fact, even if inspired or influenced, wanted to make an art &#8220;pure&#8221;, an art almost primitive.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/8.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10390\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/8-300x199.jpg\" alt=\"8\" width=\"300\" height=\"199\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/8-300x199.jpg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/8.jpg 623w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>View of a room of GAM in Milan<\/b><\/p>\n<p>The link with reality, obsessive observation of this, means that the figures of Giacometti are nearly drained by it. The reality is urgent, insistent, consumes the human being (his emaciated figures) but it never completely canceled, and it is here and this the drama of humanity. There isn\u2019t salvation and there is never fullness.<\/p>\n<p>Probably having lived the drama of the two wars, the atrocities of the concentration camps, have deeply impressed, much to develop a vision bitter existence. As well as the friendship with the father of existentialism, Jean Paul Sartre, and the questions on the precariousness of life, its meaning, and the failure on the loneliness of being.<\/p>\n<p><a style=\"line-height: 1.5em\" href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/9-gordon-parks-portrait-of-alberto-giacometti-in-his-studio.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10392\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/9-gordon-parks-portrait-of-alberto-giacometti-in-his-studio-300x300.jpg\" alt=\"9 gordon-parks-portrait-of-alberto-giacometti-in-his-studio\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/9-gordon-parks-portrait-of-alberto-giacometti-in-his-studio-300x300.jpg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/9-gordon-parks-portrait-of-alberto-giacometti-in-his-studio-150x150.jpg 150w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/9-gordon-parks-portrait-of-alberto-giacometti-in-his-studio.jpg 473w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Alberto Giacometti in his studio. Photo of Gordon Parks<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/10-quattro-donne-su-piedistallo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10393\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/10-quattro-donne-su-piedistallo-199x300.jpg\" alt=\"10 quattro donne su piedistallo\" width=\"199\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/10-quattro-donne-su-piedistallo-199x300.jpg 199w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/10-quattro-donne-su-piedistallo.jpg 682w\" sizes=\"(max-width: 199px) 100vw, 199px\" \/><\/a><\/p>\n<p><b>Alberto Giacometti \u201cFour women on a pedestal\u201d. Work on show<\/b><\/p>\n<p>I love Giacometti from always, probably because it fits perfectly with the feminine ideal of people like me who has studied fashion, the &#8220;famous&#8221; model in which birth your creations.\u00a0But with the passage of time I appreciate him for that form of anxiety that transpires, very strong for me, from his works, especially the sculptures. These slender figures that seem to break at any moment, that sometimes walk for an imaginary and uncertain destination, are the voice of humanity, of our fragility and worries, our ghosts and dreams. If they could talk probably would declare their painful to hear &#8230;<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/11.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10396\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/11-258x300.png\" alt=\"11\" width=\"258\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/11-258x300.png 258w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/11.png 769w\" sizes=\"(max-width: 258px) 100vw, 258px\" \/><\/a><\/p>\n<p><b>Alberto Giacometti for Life magazine. Photo by Lyonel Feininger, 1951<\/b><\/p>\n<p><b><i>&#8220;The world surprises me every day. Becomes larger, more wonderful, more elusive, more beautiful. The detail fascinates me, the little details, like the eye in a face, or the moss on a tree. But not most of all, because how can you make the difference between the retail and the set? Are the same details to make the set &#8230; to make the beauty of a form\u201d.<\/i><\/b> Alberto Giacometti<\/p>\n<p>His bronze sculpture &#8220;Homme qui marche&#8221; in 2010 was sold at Sotheby&#8217;s for 104,3 $ million, setting a record of the art world&#8217;s most expensive.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/12.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10397\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/12-199x300.jpg\" alt=\"12\" width=\"199\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/12-199x300.jpg 199w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2014\/12\/12.jpg 682w\" sizes=\"(max-width: 199px) 100vw, 199px\" \/><\/a><\/p>\n<p><b>Alberto Giacometti &#8220;Bust of Annette&#8221;, a work on show<\/b><\/p>\n<p><b>Is quite abnormal spend our time, instead of living, trying to copy the head, to force the same person for five years in a chair every night, in a vain attempt to make a portrait &#8230;&#8230; And the adventure, the great adventure, is to see something unknown arise every day, in the same face: an adventure bigger than any trip around the world&#8221;. <\/b>Alberto Giacometti<\/p>\n<p>Good life to all!<\/p>\n<p>Beatrice<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Manifesto exhibition Giacometti &#8220;Annetta&#8221; Beatrice Brandini Until February 1 2015 at GAM in Milan there is a beautiful exhibition of Alberto Giacometti, curated by Catherine Grenier, director of the Foundation Alberto and Annette Giacometti in Paris.<\/p>\n","protected":false},"author":2,"featured_media":10382,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77],"tags":[],"class_list":["post-14894","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Giacometti and his &quot;immense&quot;, fragile, poetic, human figures. | Beatrice Brandini Fashion Blog<\/title>\n<meta name=\"description\" content=\"Manifesto exhibition Giacometti &quot;Annetta&quot; Beatrice Brandini Until February 1 2015 at GAM in Milan there is a beautiful exhibition of Alberto Giacometti, | Beatrice Brandini Fashion Blog\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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