{"id":36083,"date":"2021-11-13T08:02:54","date_gmt":"2021-11-13T07:02:54","guid":{"rendered":"https:\/\/www.beatricebrandini.it\/?p=36083"},"modified":"2021-11-13T08:02:54","modified_gmt":"2021-11-13T07:02:54","slug":"keith-haring-in-pisa-welcome-back","status":"publish","type":"post","link":"https:\/\/www.beatricebrandini.it\/en\/keith-haring-in-pisa-welcome-back\/","title":{"rendered":"Keith Haring in Pisa: Welcome back!"},"content":{"rendered":"<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/L-intellettuale-copertina.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-36077 \" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/L-intellettuale-copertina.jpg\" alt=\"\" width=\"660\" height=\"892\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/L-intellettuale-copertina.jpg 661w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/L-intellettuale-copertina-222x300.jpg 222w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><\/p>\n<p><strong>&#8220;The Intellectual&#8221; by Beatrice Brandini<\/strong><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/IMG_4520.jpeg\"><img decoding=\"async\" class=\"alignnone wp-image-36081 \" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/IMG_4520-682x1024.jpeg\" alt=\"\" width=\"660\" height=\"991\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/IMG_4520-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/IMG_4520-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/IMG_4520-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/IMG_4520.jpeg 853w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><\/p>\n<p><b>Keith Haring <i>\u201cDog\u201d<\/i>, 1996<\/b><\/p>\n<p>Pisa, in the magnificent rooms of Palazzo Blu, hosts the beautiful exhibition <b><i>&#8220;Keith Haring&#8221;<\/i><\/b>, until April 17, 2022.<!--more--><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/3.jpeg\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-36090\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/3-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/3-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/3-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/3-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/3.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>The facade of Palazzo Blu, entrance to the exhibition<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/4-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36147\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/4-1-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/4-1-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/4-1-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/4-1-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/4-1.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b><i>Untitled (three dancing figure, version B)<\/i>, 1989<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/5-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36094\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/5-1-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/5-1-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/5-1-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/5-1-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/5-1.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b><i>Untitled (head through stomach)<\/i>, 1987 -1988<\/b><\/p>\n<p>The exhibition, created by the <b><i>Pisa Foundation <\/i><\/b>in collaboration with <b><i>MondoMostre <\/i><\/b>and with the extraordinary participation of the <b><i>Nakamura Keith Haring Collection,<\/i><\/b> curated by <b>Kaoru Yanase<\/b>, Chief Curator of the Nakamura Keith Haring Collection, pays tribute to the American artist, father of the street artist, and who always had a special bond with Pisa.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/6.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36096\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/6-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/6-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/6-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/6-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/6.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\u00a0 \u00a0<a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/7.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36098\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/7-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/7-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/7-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/7-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/7.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b><i>The Story of Red + Blue,<\/i> 1989<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/8-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36149\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/8-1-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/8-1-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/8-1-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/8-1-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/8-1.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\u00a0 \u00a0<a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/9.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36102\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/9-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/9-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/9-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/9-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/9.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b><i>The Story of Red + Blue, <\/i>1989<\/b><\/p>\n<p>Haring in fact stayed for a long time in the Tuscan town, giving it one of his most important works, the mural <b><i>&#8220;Tuttomondo&#8221;<\/i><\/b> on the wall of the convent of S. Antonio, which over the years has become an obligatory stop in the visit of the city from the leaning tower.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/10.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36104\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/10-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/10-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/10-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/10-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/10.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\u00a0 \u00a0<a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/11.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36106\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/11-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/11-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/11-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/11-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/11.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Glimpses of the exhibition<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/12.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36108\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/12-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/12-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/12-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/12-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/12.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Keith Haring photographed in front of his work <i>Untitled (People)<\/i><\/b><\/p>\n<p>The exhibition presents for the first time in Europe a very rich selection of works, over 170, coming from the <b>Nakamura Keith Haring Collection,<\/b> the personal collection of Kazuo Nakamura, which is located in the museum dedicated to the artist in Japan, and visiting it for a preview, I assure you that it is truly extraordinary.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/13-bis.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36110\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/13-bis-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/13-bis-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/13-bis-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/13-bis-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/13-bis.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Stefano del Corso, President of the Pisa Foundation, during the press conference<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/13.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36112\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/13-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/13-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/13-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/13-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/13.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b><i>Italy 83,<\/i> 1983<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/14.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36114\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/14-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/14-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/14-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/14-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/14.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b><i>Keith Haring in Milan\u2026 Salvatore Ala<\/i>, 1984<\/b><\/p>\n<p>Keith Haring is the father of works recognized and loved by all, his stylized men, hearts, dogs, graphic signs, are now part of a collective imagination at an international level; even if not everyone knows that in reality these few graphic signs were full of symbols and messages, the result of the creativity of a gentle and delicate soul, who throughout his short life tried to fight against stereotypes, discrimination, inequalities, in favor of gender rights, words and contents that are never more relevant and urgent than now.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/15.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36116\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/15-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/15-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/15-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/15-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/15.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b><i>Andy Mouse,<\/i> 1986<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/16.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36118\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/16-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/16-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/16-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/16-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/16.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Cover, Haring&#8217;s contribution to music<\/b><\/p>\n<p>The exhibition traces Haring&#8217;s entire artistic career, showing us how many expressive techniques he investigated. In fact, in the rooms you can admire paintings, drawings, sculptures, murals, advertisements &#8230;<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/17.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36120\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/17-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/17-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/17-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/17-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/17.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b><i>The Baby Beat Box<\/i>, Emanon 1986<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/18.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36122\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/18-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/18-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/18-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/18-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/18.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b><i>A very special Christmas,<\/i><span class=\"Apple-converted-space\">\u00a0 <\/span>1987<\/b><\/p>\n<p>Furthermore, as underlined by the President of Palazzo Blu, Cosimo Bracci Torsi, during the press conference, there are many artists who have passed from Palazzo Blu, from Chagall to Modigliani, from Warhol to Kandinskij, but no one has ever worked in our city, nor there he left important works. Haring it!<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/19.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36124\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/19-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/19-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/19-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/19-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/19.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b><i>Untitled,<\/i> 1986<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/20.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36126\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/20-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/20-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/20-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/20-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/20.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b><i>Absolut Vodka, Country of Sweden<\/i><\/b>, <b>1986<\/b><\/p>\n<p>The exhibition itinerary starts from the <b>PRINCIPLE,<\/b> in which his beginnings are told in the city of New York, where Haring draws on the advertising panels with an immediate language that becomes immediately recognizable. The <b>BEYOND THE LIMITS<\/b> section enhances works with fluorescent colors in a dark area. Then there are the <b>STORIES,<\/b> in my opinion in one of the most interesting parts, in which the work <i>The Story of Red + Blue, <\/i>from 1989, is exhibited, a series of lithographs made especially for children, which has become very popular and used in various competitions. storytelling is included in the educational processes of many American schools.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/21.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36128\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/21-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/21-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/21-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/21-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/21.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\u00a0 \u00a0<a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/22.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36130\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/22-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/22-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/22-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/22-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/22.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Kaoru Yanase during the interview with behind the work:\u00a0<\/b><b>Tseng Kwong Chi Bill T. Jones body painting with Keith Haring, 1983<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/23.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36132\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/23-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/23-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/23-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/23-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/23.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b><i>Untitled (Medusa)<\/i>, 1986<\/b><\/p>\n<p>Then there is the <b>HARING IN PISA <\/b>section, which tells of the meeting and friendship with Piergiorgio Castellani, obviously the choral work for the realization of the Tuttomondo mural.<\/p>\n<p>The <b>MUSIC <\/b>section, where various album covers are exhibited; that <b>MESSAGE, <\/b>with which, thanks to the posters, Haring wishes to reach as many people as possible, addressing social issues such as those related to AIDS, gay rights, apartheid, violence, drugs.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/24.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36134\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/24-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/24-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/24-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/24-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/24.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b><i>Icons (three -Eyed Face)<\/i>, 1990<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/25.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36136\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/25-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/25-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/25-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/25-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/25.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b><i>Icons (Radiant Baby)<\/i>, 1990<\/b><\/p>\n<p><b>SYMBOLS AND ICONS,<\/b> which includes the most iconic characters of Haring&#8217;s poetics.<\/p>\n<p>Then again <b>DISTOPIA REVEALED,<\/b> in which his art becomes more aware but also deeper and more complex. And so much more.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/26.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36138\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/26-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/26-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/26-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/26-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/26.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>The President of Palazzo Blu Cosimo Bracci Torsi<\/b><\/p>\n<p><i>&#8220;With the child Haring identifies the most effective means to ensure immortality. Two days before his death, too weak even to speak, he takes a marker and repeatedly tries to draw something, then finally he succeeds: the image is none other than the radiant child. A newborn who releases rays of power received from the universe; \u2026. And after Keith&#8217;s death, this iconic image continues to convey his message of joy. <\/i><b><i>The radiant child represents Keith Haring himself \u201d<\/i><\/b>. Kaoru Yanase<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/27.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36140\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/27-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/27-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/27-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/27-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/27.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Untitled (Self Portrait), 1988<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/28.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36142\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/28-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/28-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/28-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/28-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/28.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Keith Haring<\/b><\/p>\n<p>It is a very beautiful exhibition, and, as I often write, it is perfect for your children, grandchildren, friends. Art and culture are more fundamental than ever in these times characterized by uncertainty, an uncertainty amplified by the pandemic. We have been missing these places for approx. two years, reviewing an exhibition in attendance, getting lost in the rooms of a great artist, learning about his history and explaining it to the little ones, is really a gift for their growth. Haring then teaches us to have respect for minorities, to protect the environment and to include every human being.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/29-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-36155\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/29-1-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/29-1-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/29-1-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/29-1-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2021\/11\/29-1.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><i>\u201cThe first thing I want to do is break down the barrier between commercial and traditional art. My hope is that one day, the kids who spend their time on the street will get used to being surrounded by art and that they can feel at ease if they go to a museum &#8220;.<\/i> Keith Haring<\/p>\n<p>Good life to everyone!<\/p>\n<p>Beatrice<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The Intellectual&#8221; by Beatrice Brandini Keith Haring \u201cDog\u201d, 1996 Pisa, in the magnificent rooms of Palazzo Blu, hosts the beautiful exhibition &#8220;Keith Haring&#8221;, until April 17, 2022.<\/p>\n","protected":false},"author":2,"featured_media":36076,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77],"tags":[],"class_list":["post-36083","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Keith Haring in Pisa: Welcome back! 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