{"id":37379,"date":"2022-04-15T08:07:34","date_gmt":"2022-04-15T06:07:34","guid":{"rendered":"https:\/\/www.beatricebrandini.it\/?p=37379"},"modified":"2022-05-02T12:25:41","modified_gmt":"2022-05-02T10:25:41","slug":"in-venice-unmissable-surrealism-and-magic-enchanted-modernity","status":"publish","type":"post","link":"https:\/\/www.beatricebrandini.it\/en\/in-venice-unmissable-surrealism-and-magic-enchanted-modernity\/","title":{"rendered":"In Venice, unmissable, \u201cSurrealism and Magic. Enchanted modernity “."},"content":{"rendered":"

\"\"<\/a><\/p>\n

\u201cThe dressing of the bride\u201d by Max Ernst, 1940. Peggy Guggenheim Collection Venice<\/b><\/p>\n

\"\"<\/a><\/p>\n

\u201cGala\u201d by Beatrice Brandini<\/b><\/p>\n

A beautiful exhibition, created in collaboration between the Peggy Guggenheim Collection and the Barberini Museum (in Potsdam), highlights the interest of the surrealists in magic.<\/p>\n

\"\"<\/a><\/p>\n

\u201cThe Magic Game of Flowers\u201d<\/i> by Dorothea Tanning, 1941. Private collection<\/b><\/p>\n

In Venice, at Palazzo Venier dei Leoni, home to the Peggy Guggenheim Collection, we can admire about sixty works from great museums such as the Center Pompidou, the Metropolitan Museum, the Guggenheim in New York, and international collections, which offer an interesting overview on Surrealism and the relationship that this current had with its authors; the artist was a bit of an alchemist, a visionary, who treated magic by absorbing his most philosophical and poetic facets and shades.<\/p>\n

\"\"<\/a><\/p>\n

\u201cThe surrealist\u201d<\/i> by Victor Brauner, 1947. Peggy Guggenheim Collection Venice<\/b><\/p>\n

The exhibition first of all highlights the precious heritage of surrealist works of the Peggy Guggenheim Collection, works that the patron herself had already collected at the end of the 1930s, becoming close friends with Max Ernst and Andr\u00e9 Breton, founder of the movement and author of the his Manifesto.<\/p>\n

\"\"<\/a><\/p>\n

\u201cThe pleasures of Dagoberto\u201d<\/i> by Leonora Carrington, 1945. Private collection<\/b><\/p>\n

The project, curated by Grazina Subelyt\u00e9, as already mentioned, aims to highlight the widespread interest in the irrational, the myth and the esoteric, an interest that pushed the artists of the surrealist avant-garde to consider magic as a form of poetic and philosophical expression, trying to emancipate one’s self and one’s interiority.<\/p>\n

\"\"<\/a><\/p>\n

\u201cThe child’s brain\u201d <\/i>by Giorgio de Chirico, 1917. Modern Museum of Stockholm.<\/b><\/p>\n

Dream and magic, unconscious and reasoning, are questions and torments of every human being, but which in the artists, thanks to their chameleonic personality, are highlighted exponentially, resulting in masterpieces such as those present in the Venice exhibition. In fact, the exhibition itinerary includes works by Salvator Dal\u00ed, Leonor Fini, Ren\u00e9 Magritte, Yves Tanguy, Roberto Matta, Giorgio de Chirico and many others.<\/p>\n

\"\"<\/a><\/p>\n

A glimpse of Palazzo Venier dei Leoni, home of the Peggy Guggenheim Collection<\/b><\/p>\n

The exhibition inaugurated on 9 April will end on 26 September 2022, leaving the baton at the Barberini Museum in Potsdam, near Berlin, until 29 January 2023.<\/p>\n

\"\"<\/a>\u00a0 \"\"<\/a>\u00a0 \"\"<\/a><\/p>\n

Schiaparelli Haute Couture Collection SS 2022<\/b><\/p>\n

Finally, as I have been doing since 2013, the year in which I published my first post, it is nice to see how art and fashion are more and more neighboring expressions, full of mutual influences and exchanges. The latest fashion shows have highlighted how some designers have shamelessly drawn on the codes of surrealism; we saw the interpretation of trompe l’oeil by Dolce & Gabbana, the \u201cbig lips\u201d by Jonathan Anderson for Loewe, the time and music of Jeremy Scott for Moschino (such as the dress a tribute to Dal\u00ec and his The Anthropomorphic Cabinet) and so on.<\/p>\n

\"\"<\/a>\u00a0 \"\"<\/a><\/p>\n

JW Anderson for Loewe, SS 2022 collection<\/b><\/p>\n

The prices of surrealist works also hit record figures. Ren\u00e9 Magritte’s work L’empire des lumi\u00e9res<\/i> was sold for a value of 59.4 million pounds at Sotheby’s London, tripling the artist’s record.<\/p>\n

\"\"<\/a>\u00a0 \"\"<\/a>\u00a0 \"\"<\/a><\/p>\n

Jeremy Scott for Moschino, SS 2022 Collection<\/b><\/p>\n

It is no coincidence that surrealism manifested itself especially after the great crisis of ’29, there was a need, and that was to escape and enter a surreal world, in fact, characterized by metamorphosis, magic, enchantment, dreams. We are not that far from today’s needs. The pandemic has deprived us, for at least two years, of relationships, work, family, well-being and everything that until then seemed normal to us was no longer normal.It is no coincidence that fashion is talking about surrealism right now.<\/p>\n

\"\"<\/a>\u00a0 \"\"<\/a><\/p>\n

Evening dress designed by Elsa Schiaparelli in collaboration with Salvador Dal\u00ed, Philadelphia Museum of Art. Wallis Simpson in Vogue in 1937<\/b><\/p>\n

\"\"<\/a>\u00a0 \"\"<\/a>\u00a0 \"\"<\/a><\/p>\n

“Surrealist” mood by Beatrice Brandini<\/strong><\/p>\n

Fashion, which has always been a mirror of society, sends us a message, dreaming seems to be the only escape.<\/p>\n

Good life to everyone!<\/p>\n

Beatrice<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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