{"id":38364,"date":"2022-09-21T07:18:40","date_gmt":"2022-09-21T05:18:40","guid":{"rendered":"https:\/\/www.beatricebrandini.it\/?p=38364"},"modified":"2022-09-21T07:18:40","modified_gmt":"2022-09-21T05:18:40","slug":"olafur-eliasson-when-the-senses-interact-with-art","status":"publish","type":"post","link":"https:\/\/www.beatricebrandini.it\/en\/olafur-eliasson-when-the-senses-interact-with-art\/","title":{"rendered":"Olafur Eliasson: when the senses interact with art"},"content":{"rendered":"<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/1.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-38326 size-full\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/1.jpg\" alt=\"\" width=\"716\" height=\"913\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/1.jpg 716w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/1-235x300.jpg 235w\" sizes=\"(max-width: 716px) 100vw, 716px\" \/><\/a><\/p>\n<p><b><i>Kaleidoscope Body<\/i> by Beatrice Brandini<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/2-1.jpeg\"><img decoding=\"async\" class=\"alignnone wp-image-38328 size-large\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/2-1-682x1024.jpeg\" alt=\"\" width=\"640\" height=\"961\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/2-1-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/2-1-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/2-1-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/2-1.jpeg 853w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p><b>Olafur Eliasson: <i>Colour spectrum kaleidoscope<\/i>, 2003<\/b><\/p>\n<p>The Palazzo Strozzi Foundation presents <b><i>In your time<\/i><\/b>, the largest exhibition by Olafur Eliasson ever held in Italy. With lights and colors, shadows and reflections, the Icelandic &#8211; Danish artist interacts with the majesty of Palazzo Strozzi.<!--more--><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/3-1.jpeg\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-38330\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/3-1-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/3-1-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/3-1-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/3-1-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/3-1.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Exhibition banner<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/4-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-38334\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/4-1-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/4-1-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/4-1-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/4-1-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/4-1.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Arturo Galansino and Olafur Eliasson at the press conference<\/b><\/p>\n<p>The exhibition, which opens today until January 2023, is curated by Arturo Galansino, Director General of the Foundation, and is the result of the artist&#8217;s direct work on the spaces of Palazzo Strozzi, such as the monumental site-specific installation <b><i>Under the weather <\/i><\/b>in the entrance courtyard.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/5-2.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-38336\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/5-2-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/5-2-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/5-2-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/5-2-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/5-2.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\u00a0 \u00a0 <a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/6-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-38338\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/6-1-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/6-1-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/6-1-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/6-1-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/6-1.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Olafur Eliasson: <i>Firefly double-polyhedron<\/i>, 2020<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/7-Firefly_double_polyhedron_sphere_experiment.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-38340\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/7-Firefly_double_polyhedron_sphere_experiment-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/7-Firefly_double_polyhedron_sphere_experiment-225x300.jpg 225w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/7-Firefly_double_polyhedron_sphere_experiment-767x1024.jpg 767w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/7-Firefly_double_polyhedron_sphere_experiment-768x1025.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/7-Firefly_double_polyhedron_sphere_experiment.jpg 959w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/a><\/p>\n<p><b>Olafur Eliasson: <i>Firefly double-polyhedron<\/i>, 2020 (particular)<\/b><\/p>\n<p>The Renaissance palace, one of the most beautiful in the world, becomes the ideal setting for Eliasson, a non-passive space, where windows, ceilings, corners and walls interact with the artist&#8217;s works, in a game of mirrors and colored filters, in which the viewer reflects, with a new awareness, on the perception that each of us has of space.<\/p>\n<p>Eliasson works on all the rooms of Palazzo Strozzi, from the courtyard to the Piano Nobile, to the Strozzina, characterizing the visitor&#8217;s path of three elements, color, water and light.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/8-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-38342\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/8-1-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/8-1-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/8-1-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/8-1-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/8-1.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Olafur Eliasson: <i>Room for one color<\/i>, 1997<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/9-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-38344\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/9-1-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/9-1-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/9-1-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/9-1-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/9-1.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Olafur Eliasson:<i>Triple window,<\/i> 1999<\/b><\/p>\n<p>Original and visionary artist, but also attentive to environmental and ethical issues, Eliasson is a painter, sculptor, photographer, videomaker\u2026, a guest in the most important museums in the world. Just like Renaissance artists, who were good in any field, tried to try their hand, even Olafur cannot be defined with a single adjective, but he is a curious and multifaceted artist, whose greatest urgency is perhaps precisely that of experimenting.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/10-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-38346\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/10-1-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/10-1-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/10-1-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/10-1-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/10-1.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\u00a0 \u00a0 <a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/11-Solar_compression_ASB_31A9866.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-38348\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/11-Solar_compression_ASB_31A9866-295x300.jpg\" alt=\"\" width=\"295\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/11-Solar_compression_ASB_31A9866-295x300.jpg 295w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/11-Solar_compression_ASB_31A9866-1008x1024.jpg 1008w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/11-Solar_compression_ASB_31A9866-768x780.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/11-Solar_compression_ASB_31A9866.jpg 1260w\" sizes=\"(max-width: 295px) 100vw, 295px\" \/><\/a><\/p>\n<p><b>Olafur Eliasson: <i>Solar compression<\/i>, 2016<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/p>\n<p>Olafur makes us reflect on the way in which we relate to the world, offering us some cognitive tools to raise awareness of our behavior towards the environment, as in<b><i> Riverbed<\/i><\/b> of 2014 at the Louisiana Museum in Denmark, in which the visitor was suddenly dropped into a rocky natural landscape, across a watercourse.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/12-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-38350\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/12-1-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/12-1-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/12-1-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/12-1-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/12-1.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\u00a0 \u00a0 <a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/13-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-38352\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/13-1-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/13-1-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/13-1-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/13-1-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/13-1.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Olafur Eliasson: <i>Colour spectrum kaleidoscope<\/i>, 2003<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/14-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-38354\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/14-1-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/14-1-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/14-1-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/14-1-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/14-1.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>View of one of the rooms of the exhibition Olafur Eliasson IN THIS TIME<\/b><\/p>\n<p>His studio, based in Berlin, brings together craftsmen, architects, researchers, administrators, art historians and cooks in a sort of factory.<\/p>\n<p>In this exhibition, immersed in a parallel reality, visitors can move around these places in what we could define as a real journey through time, bringing with them memories, perceptions. The works that the artist has created for this imposing place &#8220;intrude&#8221; with their artificial lights, shadows and reflections. Like <i>Under the weather<\/i> consisting of a large suspended elliptical structure that seems to change and vibrate according to how we move in space, essentially creating a real game of visual interference.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/15-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-38356\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/15-1-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/15-1-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/15-1-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/15-1-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/15-1.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Under the weather (20022) opera site specific by Olafur Eliasson<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/16.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-38358\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/16-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/16-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/16-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/16-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/16.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\u00a0 \u00a0 <a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/17.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-38360\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/17-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/17-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/17-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/17-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/17.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Under the weather (20022) opera site specific by Olafur Eliasson<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/p>\n<p>Already in the Renaissance Florence was wondering about the meaning of light; artists such as Beato Angelico and Piero della Francesca are &#8220;painters of light&#8221;. And light like the one that characterizes a clear cloudless sky, we need it infinitely.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/18-Olafur-Eliasson_2020_Photo-Lars-Borges.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-38362\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/18-Olafur-Eliasson_2020_Photo-Lars-Borges-267x300.jpg\" alt=\"\" width=\"267\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/18-Olafur-Eliasson_2020_Photo-Lars-Borges-267x300.jpg 267w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/18-Olafur-Eliasson_2020_Photo-Lars-Borges-910x1024.jpg 910w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/18-Olafur-Eliasson_2020_Photo-Lars-Borges-768x864.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2022\/09\/18-Olafur-Eliasson_2020_Photo-Lars-Borges.jpg 1138w\" sizes=\"(max-width: 267px) 100vw, 267px\" \/><\/a><\/p>\n<p><b>Olafur Eliasson, photo Lars Borges<\/b><\/p>\n<p>Good life to everyone!<\/p>\n<p>Beatrice<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kaleidoscope Body by Beatrice Brandini Olafur Eliasson: Colour spectrum kaleidoscope, 2003 The Palazzo Strozzi Foundation presents In your time, the largest exhibition by Olafur Eliasson ever held in Italy. With lights and colors, shadows and reflections, the Icelandic &#8211; Danish artist interacts with the majesty of Palazzo Strozzi.<\/p>\n","protected":false},"author":2,"featured_media":38325,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77],"tags":[],"class_list":["post-38364","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Olafur Eliasson: when the senses interact with art | Beatrice Brandini Fashion Blog<\/title>\n<meta name=\"description\" content=\"Kaleidoscope Body by Beatrice Brandini Olafur Eliasson: Colour spectrum kaleidoscope, 2003 The Palazzo Strozzi Foundation presents In your time, the | Beatrice Brandini Fashion Blog\" \/>\n<meta name=\"robots\" content=\"index, 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