{"id":40969,"date":"2023-10-06T07:00:07","date_gmt":"2023-10-06T05:00:07","guid":{"rendered":"https:\/\/www.beatricebrandini.it\/?p=40969"},"modified":"2024-11-12T18:48:05","modified_gmt":"2024-11-12T17:48:05","slug":"anish-kapoor-untrue-unreal","status":"publish","type":"post","link":"https:\/\/www.beatricebrandini.it\/en\/anish-kapoor-untrue-unreal\/","title":{"rendered":"Anish Kapoor UNTRUE UNREAL"},"content":{"rendered":"<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/1-Arya-1.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-44615 size-full\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/1-Arya-1.jpg\" alt=\"\" width=\"681\" height=\"887\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/1-Arya-1.jpg 681w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/1-Arya-1-230x300.jpg 230w\" sizes=\"(max-width: 681px) 100vw, 681px\" \/><\/a><\/p>\n<p><b><i>Arya<\/i> by Beatrice Brandini<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/2.jpeg\"><img decoding=\"async\" class=\"alignnone wp-image-40943 size-full\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/2.jpeg\" alt=\"\" width=\"1280\" height=\"853\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/2.jpeg 1280w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/2-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/2-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/2-768x512.jpeg 768w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><\/a><\/p>\n<p><b>Anish Kapoor<i> To Reflect an intimate Part of the Red, <\/i>1981<\/b><\/p>\n<p>From 7 October 2023 to 4 February 2024, <b>Anish Kapoor <\/b>dialogues with the spaces of <b>Palazzo Strozzi <\/b>in Florence, through the large exhibition <b><i>Anish Kapoor.Untrue Unreal.<\/i><\/b><!--more--><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/3.jpeg\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-40945\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/3-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/3-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/3-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/3-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/3.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Anish Kapoor <i>Endless Column,<\/i> 1992<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/4.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-40947\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/4-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/4-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/4-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/4-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/4.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Anish Kapoor <i>Svayambhu,<\/i> 2007<\/b><\/p>\n<p>Fondazione Palazzo Strozzi presents <b><i>Anish Kapoor. Untrue Unreal,<\/i><\/b> the exhibition of the famous master who revolutionized sculpture in contemporary art. Curated by <b>Arturo Galansino<\/b>, General Director of the Palazzo Strozzi Foundation, the exhibition offers monumental installations, intimate environments and forms, determining an interesting tale between ancient and modern art, between the art of Kapoor and Palazzo Strozzi with its imposing and essential architecture.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/5.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-40949\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/5-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/5-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/5-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/5-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/5.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\u00a0 \u00a0 <a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/5bis.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-40951\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/5bis-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/5bis-300x200.jpg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/5bis-1024x682.jpg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/5bis-768x512.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/5bis.jpg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Anish Kapoor <i>Void Pavillion VII,<\/i> 2023 Courtyard of Palazzo Strozzi<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/6-bis.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-40953\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/6-bis-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/6-bis-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/6-bis-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/6-bis-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/6-bis.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\u00a0 \u00a0 <a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/6.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-40955\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/6-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/6-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/6-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/6-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/6.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Anish Kapoor<i> Non-Object Black,<\/i> 2015<\/b><\/p>\n<p>The works on display are historical and recent works, among these <b><i>Void Pavillion VII<\/i><\/b> (2023), specifically designed for the Renaissance courtyard of the Palace, in which the space itself becomes a concave and convex place, in which the visitor will be pervaded by restlessness, inviting us to seek the truth beyond appearances.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/7.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-40957\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/7-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/7-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/7-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/7-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/7.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Anish Kapoor <i>Newborn<\/i>, 2019<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/8.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-40959\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/8-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/8-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/8-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/8-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/8.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\u00a0 \u00a0 <a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/9.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-40961\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/9-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/9-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/9-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/9-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/9.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Anish Kapoor, <i>Three days of Mourning,<\/i> 2016<\/b><\/p>\n<p>In Kapoor&#8217;s art the unreal mixes with the untrue, the artist takes us by the hand and wants to tell us, not too delicately, that the boundaries between the true and the false are not distant, and the means he uses to tell us his poetics and his message are of strong impact. Pigment, stone, steel, wax and silicone, to name just some of the materials with which he works, which he manipulates, hits, smoothes, treats, become fluid, visceral, expanded, or illusory like the series of mirror works.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/10.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-40963\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/10-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/10-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/10-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/10-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/10.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Anish Kapoor <i>Angel,<\/i> 1990<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/11.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-40965\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/11-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/11-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/11-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/11-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/10\/11.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Arturo Galansino in the press conference<\/b><\/p>\n<p>Anish Kapoor&#8217;s works have entered the permanent collections of the most important museums in the world, such as the Museum of Modern Art in New York, the Tate in London, the Prada Foundation in Milan, the Guggenheim in Venice, Bilbao and Abu Dhabi. He has also received numerous awards, such as the Premio Duemila at the 1990 Venice Biennale and the Turner Prize in 1991.<\/p>\n<p>His architectural works are also very well known, among his public projects we remember the <i>Cloud Gate<\/i> Millennium Park in Chicago, <i>Orbit <\/i>Queen Elisabeth Olympic Park in London, <i>Ark Nova<\/i> in Japan, just to name a few. Without forgetting the relationship with Italy, characterized by important creations in various cities such as Naples, Rome, Milan and Venice.<\/p>\n<p><b><i>\u201cMy truth is to trust in what I don&#8217;t know or only partially know. In this, the untrue\/not real is a guide.&#8221; <\/i>Anish Kapoor<\/b><\/p>\n<p>Good life everyone!<\/p>\n<p>Beatrice<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arya by Beatrice Brandini Anish Kapoor To Reflect an intimate Part of the Red, 1981 From 7 October 2023 to 4 February 2024, Anish Kapoor dialogues with the spaces of Palazzo Strozzi in Florence, through the large exhibition Anish Kapoor.Untrue Unreal.<\/p>\n","protected":false},"author":2,"featured_media":44614,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77],"tags":[],"class_list":["post-40969","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Anish Kapoor UNTRUE UNREAL | Beatrice Brandini 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