{"id":41773,"date":"2023-12-11T07:23:50","date_gmt":"2023-12-11T06:23:50","guid":{"rendered":"https:\/\/www.beatricebrandini.it\/?p=41773"},"modified":"2023-12-11T13:33:11","modified_gmt":"2023-12-11T12:33:11","slug":"marionettes-and-avant-garde-picasso-depero-klee-sarzi-where-imagination-and-fantasy-create-dreams","status":"publish","type":"post","link":"https:\/\/www.beatricebrandini.it\/en\/marionettes-and-avant-garde-picasso-depero-klee-sarzi-where-imagination-and-fantasy-create-dreams\/","title":{"rendered":"\u201cMarionettes and Avant-garde. Picasso &#8211; Depero &#8211; Klee &#8211; Sarzi\u201d, where imagination and fantasy create dreams."},"content":{"rendered":"<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/1-marionette.jpeg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-41751 size-full\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/1-marionette.jpeg\" alt=\"\" width=\"2048\" height=\"1152\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/1-marionette.jpeg 2048w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/1-marionette-300x169.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/1-marionette-1024x576.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/1-marionette-768x432.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/1-marionette-1536x864.jpeg 1536w\" sizes=\"(max-width: 2048px) 100vw, 2048px\" \/><\/a><\/p>\n<p><b>Exhibition poster<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/2-Puppet_color.jpg\"><img decoding=\"async\" class=\"alignnone wp-image-41753 \" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/2-Puppet_color.jpg\" alt=\"\" width=\"700\" height=\"944\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/2-Puppet_color.jpg 677w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/2-Puppet_color-222x300.jpg 222w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/a><\/p>\n<p><b>\u201cPuppet\u201d by Beatrice Brandini<\/b><\/p>\n<p>At the <b>Palazzo Magnani Foundation <\/b>in Reggio Emilia, a truly spectacular exhibition is on display until 17 March 2024: <b><i>\u201cMarionettes and Avant-gardes. Picasso. Depero. Klee. Sarzi,<\/i><\/b> edited by <b>James M. Bradburne<\/b>, member of the <b>Scientific Committee of the Palazzo Magnani Foundation.<\/b><\/p>\n<p><!--more--><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/3-Enrico-Prampolini.jpeg\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-41755\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/3-Enrico-Prampolini-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/3-Enrico-Prampolini-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/3-Enrico-Prampolini-683x1024.jpeg 683w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/3-Enrico-Prampolini-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/3-Enrico-Prampolini.jpeg 1000w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Enrico Prampolini <i>Ten futurist puppets<\/i>, 1922<\/b><\/p>\n<p>The exhibition develops around the concept of the &#8220;fourth wall&#8221;, i.e. the ability of the show staged to emotionally involve the spectator. When a marionette or puppet breaks the fourth wall, it gains the public&#8217;s trust, nullifying the division between entertainment and world, art and life.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/4_Paul-Klee.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-41757\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/4_Paul-Klee-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/4_Paul-Klee-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/4_Paul-Klee-683x1024.jpeg 683w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/4_Paul-Klee-768x1151.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/4_Paul-Klee.jpeg 800w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Paul Klee <i>untitled,<\/i> 1925<\/b><\/p>\n<p>Marionettes, in English the term <b>puppets<\/b>, have always fascinated artists, who have used this medium not only as an educational potential of &#8220;figure theatre&#8221;, but also to experiment with their own creativity, where the possibilities are infinite.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/5-Depero.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-41759\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/5-Depero-225x300.jpeg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/5-Depero-225x300.jpeg 225w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/5-Depero-768x1024.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/5-Depero.jpeg 1000w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/a><\/p>\n<p><b>Fortunato Depero <i>Black Cat <\/i>1918<\/b><\/p>\n<p>Satirists used puppets as a revolutionary means to attack the political establishment, a puppet can say what often, especially a few decades ago, the actor in flesh could not say-do.\u00a0Puppets fascinated futurists such as Enrico Prampolini or Fortunato Depero, but also painters such as Sironi, Carr\u00e0 and de Chirico.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/6_Teschner.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-41761\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/6_Teschner-199x300.jpeg\" alt=\"\" width=\"199\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/6_Teschner-199x300.jpeg 199w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/6_Teschner-680x1024.jpeg 680w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/6_Teschner-768x1157.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/6_Teschner.jpeg 1000w\" sizes=\"(max-width: 199px) 100vw, 199px\" \/><\/a><\/p>\n<p><b>Richard Teschner <i>Zipzip<\/i> 1913<\/b><\/p>\n<p>Puppets and games also became a central element of the Bauhaus, with Paul Klee, Oskar Schlememr, Sophie T\u00e4uber, or protagonists of the Revolution when Lenin and his wife Natalia Krupskaya decided to fight illiteracy through the use of puppets.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/7-Sarzi.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-41763\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/7-Sarzi-225x300.jpeg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/7-Sarzi-225x300.jpeg 225w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/7-Sarzi.jpeg 576w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/a>\u00a0 \u00a0 <a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/8-sarzi.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-41765\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/8-sarzi-161x300.jpeg\" alt=\"\" width=\"161\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/8-sarzi-161x300.jpeg 161w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/8-sarzi.jpeg 411w\" sizes=\"(max-width: 161px) 100vw, 161px\" \/><\/a><\/p>\n<p><b>Two puppets of Otello Sarzi (the golden one with chains is the Experimental Marionette)<\/b><\/p>\n<p>The exhibition begins by welcoming visitors with life-size costumes designed by <b>Pablo Picasso <\/b>for <b>Parade<\/b>, a choreographic ballet that Sergej Djaghilev&#8217;s Ballets Russes staged in Paris in 1917. It then continues with a crowd of puppets manipulated from above, puppets from below), ancient examples such as Pulcinella and Harlequin from the Commedia dell&#8217;Arte, up to those of great artists of the twentieth century, among these those of the adopted Reggio Emilia <b>Otello Sarzi <\/b>who made puppets with experimental materials stand out. The exhibition is completed with a tribute to this extraordinary artist who created works, including monumental ones, for the theatre, cinema and television.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/9-El-Lissitzky.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-41767\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/9-El-Lissitzky-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/9-El-Lissitzky-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/9-El-Lissitzky-683x1024.jpeg 683w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/9-El-Lissitzky-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/9-El-Lissitzky.jpeg 800w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>El Lissitzky <i>\u201cThe Gravediggers\u201d<\/i>, 1923<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/12-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-41790\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/12-1-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/12-1-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/12-1-1024x683.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/12-1-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/12-1.jpeg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Richard Teschner, Nawang Wulan, 1912 (<\/strong><b>Detail)<\/b><\/p>\n<p>Finally, two stages are set up in the rooms on the ground floor, allowing all visitors to try their hand at &#8220;figure theatre&#8221;. Thanks also to the collaboration with the <b>Carlo Colla puppetry company <\/b>of Milan and the <b>5T Association <\/b>of Reggio Emilia, a program full of shows\/performances interpreted by puppetry professionals will be performed every weekend for the entire duration of the exhibition.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/10-fortunato-depero-marioneta-gallina-1918.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-41769\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/10-fortunato-depero-marioneta-gallina-1918-225x300.jpeg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/10-fortunato-depero-marioneta-gallina-1918-225x300.jpeg 225w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/10-fortunato-depero-marioneta-gallina-1918.jpeg 576w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/a><\/p>\n<p><b>Fortunato Depero,<i> Hen marionette<\/i>, 1918<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/11-sophie-taeuber-Arp-pappagallo-1918.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-41783\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/11-sophie-taeuber-Arp-pappagallo-1918-232x300.jpeg\" alt=\"\" width=\"232\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/11-sophie-taeuber-Arp-pappagallo-1918-232x300.jpeg 232w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/11-sophie-taeuber-Arp-pappagallo-1918.jpeg 595w\" sizes=\"(max-width: 232px) 100vw, 232px\" \/><\/a><\/p>\n<p><strong>Sophie Taeuber &#8211; Arp, Parot<\/strong><\/p>\n<p><b><i>\u201cI think the main goal of the exhibition is to open up a space for the imagination where a stick can become a horse, a dragon or a flute again.\u201d <\/i><\/b>These are the (WONDERFUL) words of James M. Bradburne, scientific coordinator of the exhibition.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/11-Pinocchio-Il-burattino-piu-famoso-del-mondo-interpretato-da-mio-figlio.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-41771\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/11-Pinocchio-Il-burattino-piu-famoso-del-mondo-interpretato-da-mio-figlio-300x207.jpg\" alt=\"\" width=\"300\" height=\"207\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/11-Pinocchio-Il-burattino-piu-famoso-del-mondo-interpretato-da-mio-figlio-300x207.jpg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/11-Pinocchio-Il-burattino-piu-famoso-del-mondo-interpretato-da-mio-figlio-768x529.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2023\/12\/11-Pinocchio-Il-burattino-piu-famoso-del-mondo-interpretato-da-mio-figlio.jpg 862w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b><i>Pinocchio,<\/i> the most famous puppet in the world by my son.<\/b><\/p>\n<p>I absolutely recommend you visit it.<\/p>\n<p>Good life to everyone!<\/p>\n<p>Beatrice<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exhibition poster \u201cPuppet\u201d by Beatrice Brandini At the Palazzo Magnani Foundation in Reggio Emilia, a truly spectacular exhibition is on display until 17 March 2024: \u201cMarionettes and Avant-gardes. Picasso. Depero. Klee. Sarzi, edited by James M. Bradburne, member of the Scientific Committee of the Palazzo Magnani Foundation.<\/p>\n","protected":false},"author":2,"featured_media":41750,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77],"tags":[],"class_list":["post-41773","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u201cMarionettes and Avant-garde. 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