{"id":42958,"date":"2024-03-29T21:48:21","date_gmt":"2024-03-29T20:48:21","guid":{"rendered":"https:\/\/www.beatricebrandini.it\/?p=42958"},"modified":"2024-11-12T20:33:06","modified_gmt":"2024-11-12T19:33:06","slug":"returns-from-modigliani-to-morandi-museo-novecento","status":"publish","type":"post","link":"https:\/\/www.beatricebrandini.it\/en\/returns-from-modigliani-to-morandi-museo-novecento\/","title":{"rendered":"Returns. From Modigliani to Morandi @MUSEO NOVECENTO"},"content":{"rendered":"<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/1.jpeg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-42930 \" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/1-682x1024.jpeg\" alt=\"\" width=\"659\" height=\"990\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/1-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/1-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/1-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/1.jpeg 853w\" sizes=\"(max-width: 659px) 100vw, 659px\" \/><\/a><\/p>\n<p><b>Amedeo Modigliani: <i>L\u2019Auto-Portrait (Autoritratto)<\/i>, 1919.<span class=\"Apple-converted-space\">\u00a0 <\/span>MAC USP Museum de Arte Contempor\u00e2nea da USP<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/2-bis-Lulu-1.jpg\"><img decoding=\"async\" class=\"alignnone wp-image-44623 size-full\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/2-bis-Lulu-1.jpg\" alt=\"\" width=\"659\" height=\"913\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/2-bis-Lulu-1.jpg 659w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/2-bis-Lulu-1-217x300.jpg 217w\" sizes=\"(max-width: 659px) 100vw, 659px\" \/><\/a><\/p>\n<p><b><i>Lul\u00f9<\/i> by Beatrice Brandini<\/b><\/p>\n<p>From 23 March to 15 September it will be possible to admire the <b><i>only Self-Portrait <\/i><\/b>painted by <b>Amedeo Modigliani,<\/b> among the most precious and valued works in the world, on the occasion of the <b><i>Returns. From Modigliani to Morandi,<\/i><\/b><i> <\/i>which brings together for the first time nineteen works by the greatest masters of the Italian twentieth century that belonged to <b>Alberto Della Ragione.<\/b><!--more--><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/3-4.jpeg\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-42934\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/3-4-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/3-4-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/3-4-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/3-4-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/3-4.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Carlo Carr\u00e0: <i>La Camera Incantata<\/i>, 1917. Pinacoteca di Brera<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/p>\n<p>The exhibition at the Museo Novecento, conceived by <b>Sergio Risaliti<\/b> and curated by <b>Eva Francioli, Chiara Toti<\/b> and Risaliti himself, celebrates ten years since the inauguration of the museum, hosting this important exhibition dedicated to the history of one of its most valuable collections: the <b>Alberto Della Ragione Collection.<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/4-3.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-42936\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/4-3-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/4-3-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/4-3-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/4-3-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/4-3.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Renato Guttuso: <i>Crocifissione<\/i>, 1940-41 Galleria Nazionale d\u2019Arte Moderna e Contemporanea<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/5-2.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-42938\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/5-2-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/5-2-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/5-2-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/5-2-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/5-2.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Renato Guttuso: Donna alla finestra, 1942. Mart, Museo di arte moderna e contemporanea di Trento e Rovereto<\/b><\/p>\n<p>During the press conference I understood the great emotion of all the curators of the exhibition, first of all Risaliti who was visibly moved to have one of the most important paintings of the twentieth century in Florence (in reality it is a return). The only self-portrait painted by Modigliani that had not been seen in Italy since 1946 and exceptionally loaned by the Museum of Modern and Contemporary Art of Sao Paulo in Brazil.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/6-3.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-42940\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/6-3-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/6-3-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/6-3-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/6-3-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/6-3.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Pietro Marussig: <i>Donna con garofano<\/i>, 1925. Collezione Privata<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/7-3.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-42942\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/7-3-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/7-3-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/7-3-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/7-3-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/7-3.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Renato Birolli: <i>Nudo dal velo nero,<\/i> 1941. Galleria Nazionale d\u2019Arte Moderna e Contemporanea<\/b><\/p>\n<p>The painting returns eighty years after its release from the Raccolta Della Ragione, purchased by the engineer in 1938, it was most likely resold in 1944. A very painful decision for the naval engineer who in August of the same year confided to Birolli the reasons that they had induced him to take that painful step. <i>\u201cRegarding the sale of Modigliani &#8211; <\/i><b>wrote Della Ragione<\/b><i> &#8211; I too am sure that I will regret it, but it is precisely this certainty that ennobles the sacrifice made not for me but for those who have the right to be able to count on me whatever happens. <\/i>In fact, it was thanks to this sale that Della Ragione recovered the resources necessary to support other younger, more experimental artists who were certainly alone, without the possibility of emerging.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/8-3.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-42944\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/8-3-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/8-3-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/8-3-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/8-3-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/8-3.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Massimo Campigli: Donne e cavalli: Le amazzoni, 1928. Deposito a lungo termine presso Ca\u2019 Pesaro &#8211; Galleria Internazionale d\u2019Arte Moderna &#8211; Fondazione Musei Civici di Venezia<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/9-2.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-42946\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/9-2-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/9-2-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/9-2-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/9-2-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/9-2.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Amedeo Modigliani: <i>L\u2019Auto-Portrait (Autoritratto)<\/i>, 1919.<span class=\"Apple-converted-space\">\u00a0 <\/span>MAC USP Museum de Arte Contempor\u00e2nea da USP<\/b><\/p>\n<p>The works on display are all of exceptional prestige, each of them deserves a specific room and an attached art history manual, such as The Enchanted Camera by Carlo Carr\u00e0, on loan from the Brera Academy, or the great Crucifixion by Renato Guttuso, on loan from Gnam, National Gallery of Modern and Contemporary Art in Rome.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/10-2.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-42948\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/10-2-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/10-2-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/10-2-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/10-2-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/10-2.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Moment of the press conference with the curators Chiara Toti and Eva Francioli, the deputy mayor Alessia Bettini and the director of the Museo Novecento Sergio Risaliti<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/11-3.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-42950\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/11-3-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/11-3-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/11-3-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/11-3-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/11-3.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Alessia Bettini with Sergio Risaliti<\/b><\/p>\n<p><i>The nucleus of masterpieces that the Museo Novecento brings together in the Returns. From Modigliani to Morandi exhibition is truly unique: true cornerstones of Italian art of the first half of the 20th century, all of which once belonged to Alberto Della Ragione, fundamental for focusing on that system of aesthetic and ethical values he promoted with strength and generosity. A refined collector, he was among the first to dedicate himself in the 1930s to the purchase of works of modern art, contributing to the renewal of the taste of Italians still stuck in 19th century painting&#8230;<\/i><b> Chiara Toti, curator of the exhibition.<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/12-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-42952\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/12-1-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/12-1-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/12-1-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/12-1-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/12-1.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Carlo Carr\u00e0: Il lago (O lago), 1929. MAC USP Museum de Arte Contempor\u00e2nea da USP<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/13.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-42954\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/13-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/13-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/13-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/13-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/13.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Ardengo Soffici: Natura morta con ventaglio, 1915. MAC USP Museum de Arte Contempor\u00e2nea da USP<\/b><\/p>\n<p>In recent years the Museo Novecento has set up beautiful exhibitions, in the last period there have been successive exhibitions that celebrated modern and contemporary art, giving the city of Florence prestige, authority and credibility. Yes, since until a few years ago outside the Tuscan capital, and honestly perhaps precisely because of the Florentines themselves, Florence lived, settling down, on its prestigious past, evolving too slowly. I lived in Milan for work, I traveled a lot, in no European capital have I seen such a turnover of such important exhibitions; works, installations, sculptures, paintings\u2026, by different and very significant artists. Thank you Museo Novecento for giving Florence this magical place that didn&#8217;t exist before you, I&#8217;m sure that it will still give us many emotions in the future.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/14-Installation-View_Ritorni_Da-Modigliani-a-Morandi_Courtesy_MuseoNoveceto-4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-42956\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/14-Installation-View_Ritorni_Da-Modigliani-a-Morandi_Courtesy_MuseoNoveceto-4-300x178.jpg\" alt=\"\" width=\"300\" height=\"178\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/14-Installation-View_Ritorni_Da-Modigliani-a-Morandi_Courtesy_MuseoNoveceto-4-300x178.jpg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/14-Installation-View_Ritorni_Da-Modigliani-a-Morandi_Courtesy_MuseoNoveceto-4-1024x608.jpg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/14-Installation-View_Ritorni_Da-Modigliani-a-Morandi_Courtesy_MuseoNoveceto-4-768x456.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/03\/14-Installation-View_Ritorni_Da-Modigliani-a-Morandi_Courtesy_MuseoNoveceto-4.jpg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>A glimpse of the exhibition. Courtesy Museo Novecento<\/b><\/p>\n<p>Good life to everyone!<\/p>\n<p>Beatrice<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Amedeo Modigliani: L\u2019Auto-Portrait (Autoritratto), 1919.\u00a0 MAC USP Museum de Arte Contempor\u00e2nea da USP Lul\u00f9 by Beatrice Brandini From 23 March to 15 September it will be possible to admire the only Self-Portrait painted by Amedeo Modigliani, among the most precious and valued works in the world, on the occasion of the Returns. From Modigliani to [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":42929,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77],"tags":[],"class_list":["post-42958","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Returns. 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