{"id":43039,"date":"2024-04-05T07:03:59","date_gmt":"2024-04-05T05:03:59","guid":{"rendered":"https:\/\/www.beatricebrandini.it\/?p=43039"},"modified":"2025-01-03T15:16:36","modified_gmt":"2025-01-03T14:16:36","slug":"author-posters-between-art-and-advertising","status":"publish","type":"post","link":"https:\/\/www.beatricebrandini.it\/en\/author-posters-between-art-and-advertising\/","title":{"rendered":"Author posters, between ART and ADVERTISING"},"content":{"rendered":"<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/1-Lulu.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-43021 \" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/1-Lulu.jpg\" alt=\"\" width=\"670\" height=\"950\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/1-Lulu.jpg 567w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/1-Lulu-212x300.jpg 212w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/><\/a><\/p>\n<p><b><i>Lul\u00f9<\/i>\u00a0<em>in the poster<\/em> by Beatrice Brandini<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/2-copertina.jpeg\"><img decoding=\"async\" class=\"alignnone wp-image-43023 size-full\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/2-copertina.jpeg\" alt=\"\" width=\"1170\" height=\"650\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/2-copertina.jpeg 1170w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/2-copertina-300x167.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/2-copertina-1024x569.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/2-copertina-768x427.jpeg 768w\" sizes=\"(max-width: 1170px) 100vw, 1170px\" \/><\/a><\/p>\n<p><b>Poster of the exhibition <i>Paper Futurism, Forms of the Avant-garde in the posters of the Salce Collection<\/i><\/b><\/p>\n<p>In Treviso (until 30 June at the Salce Museum), 130 posters from the Salce Collection, the most important collection of historical posters in Italy, and one of the most relevant in the world, will talk about futurism and advertising.<!--more--><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/3-Carla-Albini_Esposizione-aeronautica-italiana_1934-4-725x1024-1.jpeg\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-43025\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/3-Carla-Albini_Esposizione-aeronautica-italiana_1934-4-725x1024-1-212x300.jpeg\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/3-Carla-Albini_Esposizione-aeronautica-italiana_1934-4-725x1024-1-212x300.jpeg 212w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/3-Carla-Albini_Esposizione-aeronautica-italiana_1934-4-725x1024-1.jpeg 725w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/a><\/p>\n<p><b>Carla Albini. Italian Air Force Exhibition poster<\/b><\/p>\n<p><b><i>\u201cImagining the universe with the art of advertising\u201d,<\/i><\/b> is the title of the exhibition, with the most beautiful artists of the time and above all of futurism, from Sironi to Dudovich, from Seneca to Venna, and of course Fortunato Depero. Works ranging from 1930 to 1940, when futurism reached the peak of its development, characterized by aeropainting, which glorified aviation feats.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/4-Raffaele-Francisi_Ministero-dellAeronautica_1934-copia-730x1024-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-43027\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/4-Raffaele-Francisi_Ministero-dellAeronautica_1934-copia-730x1024-1-214x300.jpeg\" alt=\"\" width=\"214\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/4-Raffaele-Francisi_Ministero-dellAeronautica_1934-copia-730x1024-1-214x300.jpeg 214w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/4-Raffaele-Francisi_Ministero-dellAeronautica_1934-copia-730x1024-1.jpeg 730w\" sizes=\"(max-width: 214px) 100vw, 214px\" \/><\/a><\/p>\n<p><b>Raffaele Francisi air force poster<\/b><\/p>\n<p>This exhibition, curated by <b>Elisabetta Pasqualin<\/b> with the collaboration of <b>Sabina Collodel,<\/b> aims to underline how advertising is much more than the simple sponsorship of a product. Especially in a period preceding the years of the Second World War. In an Italy that is transforming from an agricultural country to an industrial one, with the aeronautical and automotive industries.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/5-Schawinsky-Alexander-detto-Xanti_Illy-caffe_1934-1-740x1024-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-43029\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/5-Schawinsky-Alexander-detto-Xanti_Illy-caffe_1934-1-740x1024-1-217x300.jpeg\" alt=\"\" width=\"217\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/5-Schawinsky-Alexander-detto-Xanti_Illy-caffe_1934-1-740x1024-1-217x300.jpeg 217w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/5-Schawinsky-Alexander-detto-Xanti_Illy-caffe_1934-1-740x1024-1.jpeg 740w\" sizes=\"(max-width: 217px) 100vw, 217px\" \/><\/a><\/p>\n<p><b>Alexander (Xanti) Schawinsky poster for Illy Caff\u00e9<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/6-Mario-Gros-Cioccolato.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-43031\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/6-Mario-Gros-Cioccolato-212x300.jpeg\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/6-Mario-Gros-Cioccolato-212x300.jpeg 212w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/6-Mario-Gros-Cioccolato-723x1024.jpeg 723w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/6-Mario-Gros-Cioccolato-768x1087.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/6-Mario-Gros-Cioccolato.jpeg 904w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/a><\/p>\n<p><b>Mario Gros Talmone chocolate poster<\/b><\/p>\n<p><i>The bright and contrasting strokes that were already a use in the first phase of futurist graphics remain, but the lettering becomes less predominant, it still participates in the movement and lines present in the poster, but also returns to being an explanatory complement of the images.<\/i> <b>Elisabetta Pasqualin<\/b><\/p>\n<p>The body breaks down and becomes modern, the faces become almost cubist, but above all it is the movement, emblem of the futurist manifesto, that becomes the true protagonist of these advertising posters.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/7-Enrico_Pini_MTADP_1930.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-43033\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/7-Enrico_Pini_MTADP_1930-212x300.jpeg\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/7-Enrico_Pini_MTADP_1930-212x300.jpeg 212w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/7-Enrico_Pini_MTADP_1930-724x1024.jpeg 724w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/7-Enrico_Pini_MTADP_1930-768x1086.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/7-Enrico_Pini_MTADP_1930-1086x1536.jpeg 1086w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/7-Enrico_Pini_MTADP_1930.jpeg 1250w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/a><\/p>\n<p><b>Enrico Pini poster M.T.A. DEL PR\u00c0 fabrics<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/8-Riccobaldi-Fiat.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-43035\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/8-Riccobaldi-Fiat-209x300.jpeg\" alt=\"\" width=\"209\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/8-Riccobaldi-Fiat-209x300.jpeg 209w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/8-Riccobaldi-Fiat-713x1024.jpeg 713w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/8-Riccobaldi-Fiat-768x1103.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/8-Riccobaldi-Fiat.jpeg 891w\" sizes=\"(max-width: 209px) 100vw, 209px\" \/><\/a><\/p>\n<p><b>Giuseppe Riccobaldi poster for Fiat<\/b><\/p>\n<p>Advertising has always been an extraordinary form of communication, by disseminating a specific product or service, it is a witness of its time. And, if done well, it is also a form of culture and art. This exhibition underlines how these posters were protagonists at a time when the consumer society was taking shape, directing its attention no longer to an elite, but to an audience that would become increasingly mass.<\/p>\n<p><b><i>\u201cThe art of the future will be powerfully advertising.\u201d<\/i><\/b><i> <\/i>Fortunato Depero<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/9-Marcello-Nizzoli_Fiat_1930-1936.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-43037\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/9-Marcello-Nizzoli_Fiat_1930-1936-213x300.jpeg\" alt=\"\" width=\"213\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/9-Marcello-Nizzoli_Fiat_1930-1936-213x300.jpeg 213w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/9-Marcello-Nizzoli_Fiat_1930-1936-725x1024.jpeg 725w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/9-Marcello-Nizzoli_Fiat_1930-1936-768x1084.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/9-Marcello-Nizzoli_Fiat_1930-1936-1088x1536.jpeg 1088w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/9-Marcello-Nizzoli_Fiat_1930-1936-1451x2048.jpeg 1451w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/04\/9-Marcello-Nizzoli_Fiat_1930-1936.jpeg 1800w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/><\/a><\/p>\n<p><b>Marcello Nizzoli poster for Fiat<\/b><\/p>\n<p>Today we are bombarded by advertising, often even &#8220;rubbish&#8221; advertising. There are many communication agencies that often play a strategic role in conceiving or implementing strategies; but if we look at these works we feel admiration and a lot of nostalgia.<\/p>\n<p>Good life to everyone!<\/p>\n<p>Beatrice<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lul\u00f9\u00a0in the poster by Beatrice Brandini Poster of the exhibition Paper Futurism, Forms of the Avant-garde in the posters of the Salce Collection In Treviso (until 30 June at the Salce Museum), 130 posters from the Salce Collection, the most important collection of historical posters in Italy, and one of the most relevant in the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":43020,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77],"tags":[],"class_list":["post-43039","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Author posters, between ART and ADVERTISING | Beatrice Brandini Fashion Blog<\/title>\n<meta name=\"description\" content=\"Lul\u00f9\u00a0in the poster by Beatrice Brandini Poster of the exhibition Paper Futurism, Forms of the Avant-garde in the posters of the Salce Collection In | Beatrice Brandini Fashion Blog\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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