{"id":44046,"date":"2024-09-26T06:52:20","date_gmt":"2024-09-26T04:52:20","guid":{"rendered":"https:\/\/www.beatricebrandini.it\/?p=44046"},"modified":"2024-11-06T16:36:02","modified_gmt":"2024-11-06T15:36:02","slug":"helen-frankenthaler-extraordinary-and-innovative-artist-but-above-all-a-free-woman","status":"publish","type":"post","link":"https:\/\/www.beatricebrandini.it\/en\/helen-frankenthaler-extraordinary-and-innovative-artist-but-above-all-a-free-woman\/","title":{"rendered":"Helen Frankenthaler: extraordinary and innovative artist, but above all a free woman."},"content":{"rendered":"<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/1-1.jpeg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-44014 \" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/1-1.jpeg\" alt=\"\" width=\"668\" height=\"1003\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/1-1.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/1-1-200x300.jpeg 200w\" sizes=\"(max-width: 668px) 100vw, 668px\" \/><\/a><\/p>\n<p><b>Helen Frankenthaler <i>Solar Imp.<\/i> 1995 New York, Helen Frankenthaler Foundation<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/2-Helen.jpg\"><img decoding=\"async\" class=\"alignnone wp-image-44467\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/2-Helen.jpg\" alt=\"\" width=\"660\" height=\"930\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/2-Helen.jpg 611w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/2-Helen-213x300.jpg 213w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><\/p>\n<p><b><i>Helen 2.0<\/i> by Beatrice Brandini<\/b><\/p>\n<p>Starting tomorrow, Palazzo Strozzi celebrates <b>Helen Frankenthaler<\/b> with the most comprehensive exhibition ever held in Italy; the visionary artist of the twentieth century who broke the rules of painting, in dialogue with works by Jackson Pollock, Robert Motherwell and Mark Rothko.<\/p>\n<p><!--more--><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/3.jpeg\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-44018\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/3-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/3-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/3-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/3-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/3.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Helen Frankenthaler <i>Moveable Blue<\/i>, 1973. New York, Helen Frankenthaler Foundation<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/4-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-44020\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/4-1-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/4-1-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/4-1-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/4-1-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/4-1.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Helen Frankenthaler <i>Fiesta<\/i>, 1973 e <i>Untitled<\/i>, 1973<\/b><\/p>\n<p>The exhibition, which will be open until January 26, 2025, offers an extraordinary journey through majestic canvases, works on paper and sculptures from the <b>Helen Frankenthaler Foundation <\/b>and famous international museums such as the <b>Metropolitan Museum of Art i<\/b>n New York and the <b>Tete Modern in<\/b> London. A career, that of Helen Frankenthaler, protagonist for over six decades, transforming the panorama of abstract painting with an absolutely innovative vision and technique.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/5-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-44022\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/5-1-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/5-1-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/5-1-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/5-1-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/5-1.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Jackson Pollock Number 14, 1951<\/b><\/p>\n<p>The exhibition organized by the <b>Fondazione Palazzo Strozzi<\/b> in collaboration with the <b>Helen Frankenthaler Foundation<\/b> and curated by <b>Douglas Dreishpoon<\/b>, Director of the Helen Frankenthaler Catalogue Raisonn\u00e9, is structured with works that chronologically range from the 1950s to the 2000s.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/6-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-44024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/6-1-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/6-1-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/6-1-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/6-1-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/6-1.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>A glimpse of the exhibition <i>Helen Frankenthaler Painting without rules<\/i><\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/7.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-44026\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/7-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/7-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/7-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/7-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/7.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Helen Frankenthaler <i>Open Wall<\/i>, 1953<\/b><\/p>\n<p>An important artist, <b>Helen Frankenthaler<\/b> (1928-2011), who played a fundamental role in the transition from Abstract Expressionism to Color Field painting, challenging customs and rules, and expanding the boundaries of \u201ctraditional\u201d art in search of a new expressive freedom. Also known for the soak-stain technique, that is the use of diluted paint spread horizontally on the canvases, to obtain an effect similar to that of watercolor even if oil colors are used. The paint expands, mixes with other colors, so as to obtain unique chromatic interactions.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/8.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-44028\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/8-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/8-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/8-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/8-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/8.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\u00a0 \u00a0 <a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/9.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-44030\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/9-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/9-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/9-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/9-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/9.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Helen Frankenthaler <i>The Human Edge<\/i>, 1967 e <i>Tutti-Frutti,<\/i> 1966<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/10.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-44032\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/10-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/10-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/10-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/10-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/10.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>A glimpse of the exhibition<i> Helen Frankenthaler Painting without rules<\/i>. In the background, the work by David Smith <i>Untitled<\/i>, 1964<\/b><\/p>\n<p><b><i>Helen Frankenthaler. Painting without rules <\/i><\/b>is a significant exhibition that highlights a great artist, a protagonist of the second half of the twentieth century, close to important figures of American art with whom, in some cases, she will not only collaborate, but will also become a collector.<\/p>\n<p>Helen Frankenthaler was above all a strong personality who always tried to challenge the limits, not only artistic but also conventional, proposing a painting of shapes and colors, opening up, in fact, new opportunities for abstract painting.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/11-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-44034\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/11-1-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/11-1-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/11-1-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/11-1-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/11-1.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Morris Louis <i>Aleph Series V<\/i>, 1960<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/12.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-44036\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/12-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/12-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/12-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/12-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/12.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Mark Rothko <i>Untitled,<\/i> 1964<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/13.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-44038\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/13-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/13-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/13-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/13-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/13.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>A glimpse of the exhibition <i>Helen Frankenthaler Painting without rules.<\/i> In the background <i>Yard, <\/i>1972 and <i>Madrid<\/i>, 1984<\/b><\/p>\n<p>The exhibition at Palazzo Strozzi is also a stimulating comparison between the works of the American artist with authors contemporary to her such as Morris Louis, Mark Rothko, David Smith and many others. An unmissable opportunity to see these undisputed masterpieces. Finally, a series of photos and correspondence, allows the visitor to discover and learn about the personal life of this incredible artist.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/14.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-44040\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/14-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/14-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/14-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/14.jpeg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Helen Frankenthaler <i>Star Gazing<\/i>, 1989<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/15.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-44042\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/15-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/15-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/15-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/15-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/15.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>A glimpse of the exhibition <i>Helen Frankenthaler Painting without rules<\/i><\/b><\/p>\n<p><i>\u201cThe project will allow us to discover the free and unconventional art of an artist who has marked the history of painting and the figure of women in the world of art\u201d, <\/i><b>Arturo Galansino, President of the Fondazione Palazzo Strozzi.<\/b><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/16.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-44044\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/16-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/16-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/16-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2024\/09\/16.jpeg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>The facade of Palazzo Strozzi, home of the exhibition <i>Helen <\/i>Frankenthaler Painting without rules<\/b><\/p>\n<p>It is important to celebrate Helen Frankenthaler, an artist who was not so &#8220;popular&#8221;, especially because she was a woman, an archaic and demeaning clich\u00e9 about women artists, which we sometimes find even today, not only in the art world.<\/p>\n<p>Good life to everyone!<\/p>\n<p>Beatrice<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Helen Frankenthaler Solar Imp. 1995 New York, Helen Frankenthaler Foundation Helen 2.0 by Beatrice Brandini Starting tomorrow, Palazzo Strozzi celebrates Helen Frankenthaler with the most comprehensive exhibition ever held in Italy; the visionary artist of the twentieth century who broke the rules of painting, in dialogue with works by Jackson Pollock, Robert Motherwell and Mark [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":44013,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77],"tags":[],"class_list":["post-44046","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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