{"id":45476,"date":"2025-02-18T07:08:11","date_gmt":"2025-02-18T06:08:11","guid":{"rendered":"https:\/\/www.beatricebrandini.it\/?p=45476"},"modified":"2025-02-27T09:21:52","modified_gmt":"2025-02-27T08:21:52","slug":"super-novecento-2025-an-irresistible-calendar-impossible-not-to-go-to-exhibitions","status":"publish","type":"post","link":"https:\/\/www.beatricebrandini.it\/en\/super-novecento-2025-an-irresistible-calendar-impossible-not-to-go-to-exhibitions\/","title":{"rendered":"SUPER NOVECENTO 2025: an irresistible calendar, impossible not to go to exhibitions."},"content":{"rendered":"<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/1.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-45458 \" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/1-768x1024.jpg\" alt=\"\" width=\"669\" height=\"892\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/1-768x1024.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/1-225x300.jpg 225w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/1.jpg 960w\" sizes=\"(max-width: 669px) 100vw, 669px\" \/><\/a><\/p>\n<p><b>Thomas J Price <i>A Place Beyond<\/i>, 2023. Courtesy the artist and Hauser &amp; Wirth<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/Amina.jpg\"><img decoding=\"async\" class=\"alignnone wp-image-45512 size-full\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/Amina.jpg\" alt=\"\" width=\"675\" height=\"901\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/Amina.jpg 675w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/Amina-225x300.jpg 225w\" sizes=\"(max-width: 675px) 100vw, 675px\" \/><\/a><\/p>\n<p><b><i>Amina\u00a0<\/i>by Beatrice Brandini<\/b><\/p>\n<p><b>Museo Novecento<\/b> has presented the program for the first semester, an ambitious and complex project, characterized by important exhibitions for spring &#8211; summer 2025.<!--more--><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/3-Fatima-Bianchi-Louvert.jpg\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-45462\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/3-Fatima-Bianchi-Louvert-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/3-Fatima-Bianchi-Louvert-300x169.jpg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/3-Fatima-Bianchi-Louvert-1024x576.jpg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/3-Fatima-Bianchi-Louvert-768x432.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/3-Fatima-Bianchi-Louvert.jpg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Fatima Bianchi <i>L\u2019ouvert<\/i><\/b><\/p>\n<p>The program, curated by its director <b>Sergio Risaliti<\/b>, will involve not only the museum spaces of the former <b>Leopoldine,<\/b> but also <b>Piazza della Signoria<\/b>, the <b>Museum<\/b> <b>of Palazzo Vecchio <\/b>and M<b>anifattura Tabacchi<\/b>, creating a common thread between the past and the present, between themes, now urgent, such as climate change and inclusiveness.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/4-LA-DONNA-E-PIU-OSCURA-DEL-MARE-gouache-e-foglia-doro-su-lino-2024.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-45464\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/4-LA-DONNA-E-PIU-OSCURA-DEL-MARE-gouache-e-foglia-doro-su-lino-2024-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/4-LA-DONNA-E-PIU-OSCURA-DEL-MARE-gouache-e-foglia-doro-su-lino-2024-300x200.jpg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/4-LA-DONNA-E-PIU-OSCURA-DEL-MARE-gouache-e-foglia-doro-su-lino-2024-1024x682.jpg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/4-LA-DONNA-E-PIU-OSCURA-DEL-MARE-gouache-e-foglia-doro-su-lino-2024-768x512.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/4-LA-DONNA-E-PIU-OSCURA-DEL-MARE-gouache-e-foglia-doro-su-lino-2024.jpg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Chiara Baima Poma <i>La Donna \u00e8 pi\u00f9 oscura del mare,<\/i> 2024<\/b><\/p>\n<p>It starts on Saturday 8 March (a perfect date!), with the inauguration of the collective <b><i>Messaggere<\/i><\/b>, which will see the artists <b>Chiara Baima Poma, Fatima Bianchi, Lucia Cant\u00f2, Tuli Mekondjo <\/b>and <b>Parul Thacker i<\/b>n dialogue, in a reflection on art understood as a spiritual practice, not religious but personal in which the most urgent question is: can art be interpreted as a spiritual message?<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-45466\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/5-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/5-200x300.jpg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/5-683x1024.jpg 683w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/5-768x1151.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/5.jpg 854w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><b>Thomas j Price <i>Untitled (icon 6)<\/i> 2023. Courtesy the artist and Hauser &amp; Wirth<\/b><\/p>\n<p>The exhibition will continue on March 14th with the great exhibition of the artist <b>Thomas J Price<\/b>, <b><i>Thomas J. Price in Florence,<\/i><\/b> which will include a large installation in Piazza della Signoria, as happened in the past for Koons or Fabre. The bronze sculpture, characterized by a golden patina, will be surprising, a young girl about 4 meters tall who will place her feet directly in one of the most beautiful squares in the world. Price highlights the intrinsic value of the individual, his figures have great personality, characterized by a proud and fierce attitude.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/6-Marion-Baruch-2022-ph.-Peter-Colombo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-45468\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/6-Marion-Baruch-2022-ph.-Peter-Colombo-221x300.jpg\" alt=\"\" width=\"221\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/6-Marion-Baruch-2022-ph.-Peter-Colombo-221x300.jpg 221w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/6-Marion-Baruch-2022-ph.-Peter-Colombo-754x1024.jpg 754w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/6-Marion-Baruch-2022-ph.-Peter-Colombo-768x1044.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/6-Marion-Baruch-2022-ph.-Peter-Colombo.jpg 942w\" sizes=\"(max-width: 221px) 100vw, 221px\" \/><\/a><\/p>\n<p><b>Marion Baruch photographed by Peter Colombo<\/b><\/p>\n<p>Also on March 14, the exhibition project<i> <\/i><b><i>Un passo avanti tanti dietro<\/i> <\/b>by <b>Marion Baruch<\/b> will open, a ninety-year-old artist who has always looked ahead; wonderful textile scraps recovered from companies in the Gallarate district, half sculptures, installations and ready-mades, works that inhabit a space.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/7-Lorenzo-Bonechi-Conversazione-1994-tempera-su-carta-57x38-cm-Archivio-Lorenzo-Bonechi-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-45470\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/7-Lorenzo-Bonechi-Conversazione-1994-tempera-su-carta-57x38-cm-Archivio-Lorenzo-Bonechi-1-201x300.jpg\" alt=\"\" width=\"201\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/7-Lorenzo-Bonechi-Conversazione-1994-tempera-su-carta-57x38-cm-Archivio-Lorenzo-Bonechi-1-201x300.jpg 201w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/7-Lorenzo-Bonechi-Conversazione-1994-tempera-su-carta-57x38-cm-Archivio-Lorenzo-Bonechi-1-686x1024.jpg 686w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/7-Lorenzo-Bonechi-Conversazione-1994-tempera-su-carta-57x38-cm-Archivio-Lorenzo-Bonechi-1-768x1147.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/7-Lorenzo-Bonechi-Conversazione-1994-tempera-su-carta-57x38-cm-Archivio-Lorenzo-Bonechi-1.jpg 857w\" sizes=\"(max-width: 201px) 100vw, 201px\" \/><\/a><\/p>\n<p><b>Lorenzo Bonechi conversation, 1994. Lorenzo Bonechi Archive<\/b><\/p>\n<p>Then in April it will be the turn of <b>Lorenzo Bonechi<\/b> with <b><i>La citt\u00e0 delle donne,<\/i><\/b> an artist who died prematurely; the monographic exhibition offers a selection of paintings and sculptures from the Lorenzo Bonechi Archive, from private and museum collections (we recall that one of his works was purchased by the Tate Modern in London).<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/9-LOW-RES-Haley-Mellin-SR-15.4671\u00b0N-90.7767\u00b0W-2022-Gouache-.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-45472\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/9-LOW-RES-Haley-Mellin-SR-15.4671\u00b0N-90.7767\u00b0W-2022-Gouache--239x300.jpg\" alt=\"\" width=\"239\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/9-LOW-RES-Haley-Mellin-SR-15.4671\u00b0N-90.7767\u00b0W-2022-Gouache--239x300.jpg 239w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/9-LOW-RES-Haley-Mellin-SR-15.4671\u00b0N-90.7767\u00b0W-2022-Gouache--815x1024.jpg 815w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/9-LOW-RES-Haley-Mellin-SR-15.4671\u00b0N-90.7767\u00b0W-2022-Gouache--768x965.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/9-LOW-RES-Haley-Mellin-SR-15.4671\u00b0N-90.7767\u00b0W-2022-Gouache-.jpg 1019w\" sizes=\"(max-width: 239px) 100vw, 239px\" \/><\/a>\u00a0 \u00a0 <a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/10-LOW-RES-Haley-Mellin-WK-15.4669\u00b0N-90.7767\u00b0W-2022-Gouache.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-45474\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/10-LOW-RES-Haley-Mellin-WK-15.4669\u00b0N-90.7767\u00b0W-2022-Gouache-252x300.jpg\" alt=\"\" width=\"252\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/10-LOW-RES-Haley-Mellin-WK-15.4669\u00b0N-90.7767\u00b0W-2022-Gouache-252x300.jpg 252w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/10-LOW-RES-Haley-Mellin-WK-15.4669\u00b0N-90.7767\u00b0W-2022-Gouache-862x1024.jpg 862w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/10-LOW-RES-Haley-Mellin-WK-15.4669\u00b0N-90.7767\u00b0W-2022-Gouache-768x913.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/10-LOW-RES-Haley-Mellin-WK-15.4669\u00b0N-90.7767\u00b0W-2022-Gouache.jpg 1077w\" sizes=\"(max-width: 252px) 100vw, 252px\" \/><\/a><\/p>\n<p><b><i>LOW RES<\/i> Haley Mellin, 2022<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/p>\n<p>Finally, in June, <b>Haley Mellin<\/b> will take the stage, a land conservation artist and environmental activist, one of the most interesting and modern voices in the international art scene. With her works she always opens a debate on climate change, a traveler to safeguard natural reserves, capable of combining a pictorial artistic language with a concrete and continuous commitment to the issues of environmental sustainability and climate change. Her wonderful paintings look like photographs.<\/p>\n<p>The project also includes the redevelopment of the museum cloister thanks to a collaboration with the American foundation <b>Re:wild,<\/b> a foundation with which the artist herself has been collaborating for a long time, which includes, in addition to renowned scientists, people known for their commitment to the environment such as Leonardo Di Caprio.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/2-women.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-45460\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/2-women-230x300.jpg\" alt=\"\" width=\"230\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/2-women-230x300.jpg 230w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/02\/2-women.jpg 669w\" sizes=\"(max-width: 230px) 100vw, 230px\" \/><\/a><\/p>\n<p><strong><em>Women<\/em> di Beatrice Brandini<\/strong><\/p>\n<p>\u201c<i>We face the coming months with great energy and motivation and with a scientific and curatorial program that veers decisively towards current events and the great political, social and artistic themes and the most pressing urgencies of our time\u201d. <\/i><b><i>Sergio Risaliti<\/i><\/b><\/p>\n<p><b>So let&#8217;s go to exhibitions and museums in our beautiful Florence, because if perhaps the world will not be saved by beauty, its suggestion will definitely do us good.<\/b><\/p>\n<p>Good life to everyone!<\/p>\n<p>Beatrice<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thomas J Price A Place Beyond, 2023. Courtesy the artist and Hauser &amp; Wirth &nbsp; Amina\u00a0by Beatrice Brandini Museo Novecento has presented the program for the first semester, an ambitious and complex project, characterized by important exhibitions for spring &#8211; summer 2025.<\/p>\n","protected":false},"author":2,"featured_media":48681,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77],"tags":[],"class_list":["post-45476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>SUPER NOVECENTO 2025: an irresistible calendar, impossible not to go to exhibitions. | Beatrice Brandini Fashion Blog<\/title>\n<meta name=\"description\" content=\"Thomas J Price A Place Beyond, 2023. 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