{"id":45572,"date":"2025-03-14T09:20:19","date_gmt":"2025-03-14T08:20:19","guid":{"rendered":"https:\/\/www.beatricebrandini.it\/?p=45572"},"modified":"2025-03-14T09:20:19","modified_gmt":"2025-03-14T08:20:19","slug":"tracey-emin-sex-and-solitude-palazzo-strozzi","status":"publish","type":"post","link":"https:\/\/www.beatricebrandini.it\/en\/tracey-emin-sex-and-solitude-palazzo-strozzi\/","title":{"rendered":"TRACEY EMIN Sex and Solitude @Palazzo Strozzi"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Glimpse of the work I wanted You To Fuck Me So Much I couldn’t Paint Anymore<\/i>, 2020<\/b><\/p>\n

\"\"<\/a><\/p>\n

Camera obscura by Beatrice Brandini<\/b><\/p>\n

Palazzo Strozzi presents Tracey Emin. Sex and Solitude<\/i><\/b>, the first institutional exhibition in Italy dedicated to one of the most important and influential contemporary artists, at an international level.<\/p>\n

\"\"<\/a>\u00a0 \u00a0 \"\"<\/a><\/p>\n

Tracey Emin: The Sea came in, The Sea went out – It Left me<\/i>, 2022<\/b><\/p>\n

Tracey Emin: Like The moon, You Rolled across my back<\/i>, 2022<\/b><\/p>\n

There are sixty works present in the splendid setting of Palazzo Strozzi, in which there are two main themes of her research, on the one hand the body and sexuality, on the other the solitude and vulnerability of the human being.\u00a0There are paintings, sculptures, drawings, videos, embroideries and photographs, in which with crudeness and total honesty, Tracey Emin addresses these themes, different media that underline the versatility of Emin.<\/p>\n

\"\"<\/a>\u00a0 \u00a0 \"\"<\/a><\/p>\n

Tracey Emin: Exorcism of the last painting I ever made<\/i>, 1996<\/b><\/p>\n

\"\"<\/a>\u00a0 \u00a0 \"\"<\/a><\/p>\n

A glimpse of the exhibition Tracey Emin Sex and Solitude in the foreground the sculpture All I want is you, 2016<\/b><\/p>\n

For the artist, life and art are intertwined, her works demonstrate how intimate and private moments become metaphors and allegories of existence. Ultimately, the themes that have characterized and tormented human beings are always the same: love, solitude, sexuality, illness.<\/p>\n

\"\"<\/a><\/p>\n

Tracey Emin: You were still There<\/i>, 2018<\/b><\/p>\n

\"\"<\/a><\/p>\n

Tracey Emin: I don\u2019t not expect,<\/i> 2002<\/b><\/p>\n

But above all, love is the central theme in Tracey Emin\u2019s work, investigated and explored in all its facets, between desire, romanticism and pain. The titles of the works are also fundamental, often within the same works, direct and explicit words: No Distance, I Don\u2019t need to see you, I can fell you! Hurt Hart Not Fuckable\u2026<\/p>\n

\"\"<\/a><\/p>\n

Tracey Emin: A cloud of blood an invisible mist,<\/i> 2013<\/b><\/p>\n

\"\"<\/a><\/p>\n

Tracey Emin: You have no idea how safe you make me feel,<\/i> 2013<\/b><\/p>\n

\"\"<\/a><\/p>\n

Tracey Emin: Those who Suffer LOVE<\/i>, 2009<\/b><\/p>\n

The exhibition opens with the large installation in the Renaissance courtyard of the Palace, I Followed You To The End <\/i><\/b>(2024), a monumental bronze work, whose protagonist is a female body.<\/p>\n

\"\"<\/a><\/p>\n

Arturo Galansino in a press conference, in the background There Was No Right Way, 2022<\/b><\/p>\n

\"\"<\/a><\/p>\n

Tracey Emin: Not Fuckable, 2024<\/b><\/p>\n

The famous neons that replicate her handwriting are also present, including Love Poem for CF (2007), where a poem becomes a universal declaration of pain and desire.<\/p>\n

\u201cI want people to feel something when they look at my work. I want them to feel themselves. That\u2019s what matters most.\u201d <\/i>Tracey Emin<\/b><\/p>\n

\"\"<\/a><\/p>\n

Tracey Emin: I want you more,<\/i> 2017<\/b><\/p>\n

\"\"<\/a><\/p>\n

Tracey Emin: The Decent 2112 HK<\/i>, 2016<\/b><\/p>\n

The exhibition curated by Arturo Galansino<\/b>, General Director of the Fondazione Palazzo Strozzi, opens on Sunday 16 March and will remain open until 20 July 2025.<\/p>\n

\"\"<\/a><\/p>\n

Arturo Galansino again at the press conference, with Automatic Orgasm, 2001 in the background<\/b><\/p>\n

\"\"<\/a><\/p>\n

Tracey Emin: You Should have Saved me, 2023<\/b><\/p>\n

\u201cContemporary art is an integral part of Palazzo Strozzi\u2019s identity and we are proud to present Tracey Emin\u2019s works in a major exhibition that is unprecedented in Italy, allowing the public to discover one of the most famous artists on the contemporary scene\u201d.<\/i> Arturo Galansino.<\/p>\n

\"\"<\/a><\/p>\n

Glimpse of the exhibition Tracey Emin. Sex and Solitude<\/i><\/b><\/p>\n

\"\"<\/a>\u00a0 \u00a0 \"\"<\/a><\/p>\n

Courtyard of Palazzo Strozzi with the monumental work by Tracey Emin: I Followed You To the End<\/i>, 2024<\/b><\/p>\n

I conclude with these words from the artist, words that I not only fully agree with, but that I believe to be fundamental in the education and inspiration of the new generations. \u201cI think a lot of young people are inspired by what is trendy, by the fashion of the moment. But art is not the same thing. Art should always be about what is true for you as an individual, always.\u201d <\/i><\/b>Tracey Emin<\/p>\n

\"\"<\/a><\/p>\n

Tracey Emin: Sex and Solitude<\/i>, 2025<\/b><\/p>\n

\"\"<\/a><\/p>\n

Camera Oscura 2<\/i> by Beatrice Brandini<\/b><\/p>\n

Good life to everyone!<\/p>\n

Beatrice<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Glimpse of the work I wanted You To Fuck Me So Much I couldn’t Paint Anymore, 2020 Camera obscura by Beatrice Brandini Palazzo Strozzi presents Tracey Emin. Sex and Solitude, the first institutional exhibition in Italy dedicated to one of the most important and influential contemporary artists, at an international level.<\/p>\n","protected":false},"author":2,"featured_media":48673,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77],"tags":[],"class_list":["post-45572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"yoast_head":"\nTRACEY EMIN Sex and Solitude @Palazzo Strozzi | Beatrice Brandini Fashion Blog<\/title>\n<meta name=\"description\" content=\"Glimpse of the work I wanted You To Fuck Me So Much I couldn't Paint Anymore, 2020 Camera obscura by Beatrice Brandini Palazzo Strozzi presents Tracey | Beatrice Brandini Fashion Blog\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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