{"id":47108,"date":"2025-10-15T12:33:23","date_gmt":"2025-10-15T10:33:23","guid":{"rendered":"https:\/\/www.beatricebrandini.it\/?p=47108"},"modified":"2025-10-15T12:33:23","modified_gmt":"2025-10-15T10:33:23","slug":"masterpieces-of-the-belle-epoque-the-palazzo-blu-foundation","status":"publish","type":"post","link":"https:\/\/www.beatricebrandini.it\/en\/masterpieces-of-the-belle-epoque-the-palazzo-blu-foundation\/","title":{"rendered":"Masterpieces of the Belle \u00c9poque @ the Palazzo Blu Foundation"},"content":{"rendered":"

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Poster in the Belle \u00c9poque facade of Palazzo Blu<\/b><\/p>\n

\"\"<\/a><\/p>\n

Claudine by Beatrice Brandini<\/b><\/p>\n

Yesterday I was fortunate enough to preview the exhibition BELLE \u00c9POQUE<\/i><\/b> at Palazzo Blu, open from today until April 7, 2026. It’s a truly wonderful exhibition that I recommend to everyone, not just art lovers, but to anyone who loves and seeks beauty.<\/p>\n

<\/p>\n

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Giovanni Boldini On the Bench in the Bois, 1872. Private collection.<\/b><\/p>\n

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Giuseppe De Nittis At the Bois, 1873. Private collection.<\/b><\/p>\n

From October 15, 2025, to April 7, 2026,<\/b> the Palazzo Blu Foundation<\/b> presents the exhibition Belle \u00c9poque,<\/i><\/b> curated by Professor Francesca Dini <\/b>and produced in collaboration with MondoMostre <\/b>and with the contribution of the Pisa Foundation.. <\/b>A fascinating journey into Europe’s most elegant era, told through masterpieces from major Italian and international museums\u2014including the Mus\u00e9e d’Orsay, <\/b>the Louvre, <\/b>the Philadelphia Museum of Art, <\/b>the Uffizi Galleries, <\/b>the Museo e Real Bosco di Capodimonte, <\/b>and Palazzo Te in Mantua\u2014<\/b>as well as private collections never before exhibited to the public.<\/p>\n

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Vittorio Matteo Corcos, The Elegant Dress,<\/i> 1894. Private collection.<\/b><\/p>\n

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Giovanni Boldini, Young Woman in Deshabill\u00e9.<\/i> Private collection.<\/b><\/p>\n

The Belle \u00c9poque is the historical period that spans the years from 1871, the end of the Franco-Prussian War, to 1914, the beginning of the First World War. These were years of great economic, social, and above all cultural transformations\u2014always closely intertwined\u2014and of great technological advances.<\/p>\n

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Giovanni Boldini, Nude from the Back,<\/i> 1894. Private collection.<\/b><\/p>\n

\"\"<\/a><\/p>\n

Giovanni Boldini, Portrait of the Countess de Leusse n\u00e9e Berthier,<\/i> 1890. Private collection.<\/b><\/p>\n

\"\"<\/a>\u00a0 \"\"<\/a><\/p>\n

Photographs of Paris in those years<\/b><\/p>\n

The exhibition is divided into nine thematic sections, with a constant focus on Paris. In the City of Light, a revolutionary artistic movement developed that expressed itself through painting, sculpture, fashion, and advertising. Paris was a symbolic city, a crossroads of Europe in constant turmoil. It is estimated that in those years it already boasted two million inhabitants (Rome had approximately one hundred thousand).<\/p>\n

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Federico Zandomeneghi, Samnolence<\/i>, circa 1895. Private collection.<\/b><\/p>\n

\"\"<\/a><\/p>\n

Vittorio Matteo Corcos, Reading by the Sea,<\/i> 1910. Private collection.<\/b><\/p>\n

But Paris, alongside its technical and euphoric process, which found its perfect witness in the bourgeoisie, also signified social inequalities, war wounds that had never been metabolized.<\/p>\n

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Giorgio Kienerk Youth, <\/i>1902. Pavia, Civic\u00a0Museum.<\/b><\/p>\n

\"\"<\/a><\/p>\n

Vittorio Matteo Corcos The Coccol\u00ec<\/i>, 1915. Private collection.<\/b><\/p>\n

On display are some masterpieces never before exhibited, with a particular focus on those known as the “Italiens de Paris\u201d,<\/i><\/b> such as Zandomeneghi, Vittorio Corcos, De Nittis, and Boldini.<\/p>\n

\"\"<\/a><\/p>\n

Giovanni Boldini Girl Pinning Her Hat,<\/i> 1893. Private collection.<\/b><\/p>\n

\"\"<\/a><\/p>\n

The highly esteemed President of Palazzo Blu, Cosimo Bracci Torsi, at a press conference.<\/b><\/p>\n

Three Italians are particularly prominent in this exhibition: Giovanni Boldini, undoubtedly its most worldly interpreter; Giuseppe De Nittis, its most delicate and sensitive chronicler; and Federico Zandomeneghi, closely linked to the Impressionist tradition and a perfect witness to bourgeois daily life. Both found a home in the French capital.<\/p>\n

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Giovanni Boldini, Berthe Going for a Walk<\/i>, 1874. Private collection.<\/b><\/p>\n

\"\"<\/a><\/p>\n

Auguste Renoir, Young Girl in a Blue Robe,<\/i> 1888. Lyon, Mus\u00e9e des Beaux-Arts de Lyon<\/b><\/p>\n

The BELLE \u00c9POQUE<\/i><\/b> exhibition aims to highlight the contribution of Italian artists active in Paris during those years. As curator Francesca Dini explains, “This exhibition represents a journey through European cultural history, through Italian artists who have transformed their painting into an international language, without ever forgetting their roots. It’s not just a collection of \u00a0‘beautiful masterpieces’, but an attempt to give voice and context to a crucial period, restoring depth to a movement often trivialized by its own aesthetic seduction.\u201d<\/i><\/p>\n

\"\"<\/a><\/p>\n

Vittorio Matteo Corcos, Governesses in the Champs-Elys\u00e9es,<\/i> 1892. Carpi, Palazzo Foresti Collection.<\/b><\/p>\n

\"\"<\/a><\/p>\n

Vittorio Matteo Corcos, The Painter’s Daughter at the Window<\/i>, 1909. Courtesy Phidias Antiques<\/b><\/p>\n

The Belle \u00c9poque was much more than a happy era. Those years influenced the entire world, representing a moment in which art, scientific progress, and positivist and progressive thought were fundamental to the future. Paris, despite recovering from a military defeat, managed to transform itself into a symbol of modernity, thanks in part to the contribution of international artists, who, like our Italians, made a significant contribution to the art of those years.<\/p>\n

\"\"<\/a>\u00a0 \"\"<\/a><\/p>\n

Images from the press conference with the mayor of Pisa, Michele Conti, and the CEO of MondoMostre, Simone Todorow Di San Giorgio.<\/b><\/p>\n

BELLE \u00c9POQUE,\u00a0\u00a0<\/span><\/b><\/p>\n

October 15, 2025 \u2013 April 7, 2026,\u00a0<\/span><\/b><\/p>\n

Pisa, Palazzo Blu<\/b><\/p>\n

Good life to everyone!<\/p>\n

Beatrice<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Poster in the Belle \u00c9poque facade of Palazzo Blu Claudine by Beatrice Brandini Yesterday I was fortunate enough to preview the exhibition BELLE \u00c9POQUE at Palazzo Blu, open from today until April 7, 2026. It’s a truly wonderful exhibition that I recommend to everyone, not just art lovers, but to anyone who loves and seeks […]<\/p>\n","protected":false},"author":2,"featured_media":48557,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77],"tags":[],"class_list":["post-47108","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"yoast_head":"\nMasterpieces of the Belle \u00c9poque @ the Palazzo Blu Foundation | Beatrice Brandini Fashion Blog<\/title>\n<meta name=\"description\" content=\"Poster in the Belle \u00c9poque facade of Palazzo Blu Claudine by Beatrice Brandini Yesterday I was fortunate enough to preview the exhibition BELLE \u00c9POQUE at | Beatrice Brandini Fashion Blog\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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