{"id":47311,"date":"2025-10-29T08:42:09","date_gmt":"2025-10-29T07:42:09","guid":{"rendered":"https:\/\/www.beatricebrandini.it\/?p=47311"},"modified":"2025-11-02T21:54:28","modified_gmt":"2025-11-02T20:54:28","slug":"kaws-the-message","status":"publish","type":"post","link":"https:\/\/www.beatricebrandini.it\/en\/kaws-the-message\/","title":{"rendered":"KAWS: THE MESSAGE"},"content":{"rendered":"<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/1-copertina.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-47307 \" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/1-copertina-553x1024.jpg\" alt=\"\" width=\"720\" height=\"1333\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/1-copertina-553x1024.jpg 553w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/1-copertina-162x300.jpg 162w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/1-copertina-768x1422.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/1-copertina-829x1536.jpg 829w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/1-copertina.jpg 1080w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/a><\/p>\n<p><strong>KAWS: THE MESSAGE, in the courtyard of Palazzo Strozzi in Florence<\/strong><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/2-Kaws-1.jpeg\"><img decoding=\"async\" class=\"alignnone wp-image-47347 size-large\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/2-Kaws-1-682x1024.jpeg\" alt=\"\" width=\"640\" height=\"961\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/2-Kaws-1-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/2-Kaws-1-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/2-Kaws-1-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/2-Kaws-1.jpeg 853w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p><strong>A work by Kaws, private collection<\/strong><\/p>\n<p><b>KAWS: THE MESSAGE:\u00a0<\/b><strong>Florence, Courtyard of Palazzo Strozzi,\u00a0October 29, 2025 &#8211; January 25, 2026.<\/strong><\/p>\n<p><!--more--><\/p>\n<p><strong>The full article will be available soon.<\/strong><\/p>\n<p><strong>From October 29, 2025, to January 25, 2026<\/strong>, the <strong>courtyard<\/strong> of <strong>Palazzo Strozzi<\/strong> will be transformed into a stage for contemporary art with a site-specific installation by <strong>KAWS<\/strong>, one of the most influential and iconic international artists on the contemporary art scene.<\/p>\n<p>The work, created in collaboration with the <strong>Hillary Merkus Recordati Foundation<\/strong>, represents a surprising encounter between contemporary art and the Renaissance architecture of Palazzo Strozzi.<\/p>\n<p><span class=\"Y2IQFc\" lang=\"en\">\u00a0<a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/3-2.jpeg\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-47349\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/3-2-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/3-2-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/3-2-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/3-2-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/3-2.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/span><\/p>\n<p><b>KAWS THE MESSAGE<\/b><\/p>\n<p>The work consists of two wooden sculptures, each over six meters tall, depicting two of KAWS&#8217;s iconic characters, <strong><em>COMPANION <\/em><\/strong>and<strong><em> BFF<\/em><\/strong>, interacting with their cell phones. Their position explicitly references the iconographic tradition of the Annunciation, where Mary and the Archangel Gabriel engage in a dialogue.<\/p>\n<p><span class=\"Y2IQFc\" lang=\"en\"> <a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/4-.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-47351\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/4--300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/4--300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/4--1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/4--768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/4-.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/span><\/p>\n<p><strong>Andy Bianchedi, Luigi De Siervo and\u00a0Arturo\u00a0Galansino at the press conference<\/strong><\/p>\n<pre class=\"tw-data-text tw-text-large tw-ta\" role=\"text\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwibuYnl78iQAxXNgf0HHciDC44Q3ewLegQICxAV\" aria-label=\"Testo tradotto: The full article will be available soon.\"><span class=\"Y2IQFc\" lang=\"en\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/5-7.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-47363\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/5-7-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/5-7-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/5-7-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/5-7-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/5-7.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\r\n<\/span><\/pre>\n<p><strong>Kaws at the press conference<\/strong><\/p>\n<p>KAWS (USA 1974) has conquered the international art scene with works inspired by pop culture, animation, and contemporary visual communication. His characters, characterized by their X-shaped eyes, are highly recognizable, irreverent, playful, and revolutionary. They engage a diverse audience, with the artist&#8217;s biggest fans being young people, who can connect with the emotions of these irresistible characters.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/6-2.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-47365\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/6-2-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/6-2-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/6-2-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/6-2-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/6-2.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\u00a0 <a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/7-4.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-47367\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/7-4-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/7-4-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/7-4-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/7-4-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/7-4.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\u00a0 <a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/8-3.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-47369\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/8-3-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/8-3-200x300.jpeg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/8-3-682x1024.jpeg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/8-3-768x1152.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/8-3.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><strong>KAWS THE MESSAGE nel cortile di Palazzo Strozzi<\/strong><\/p>\n<p>Curated by <strong>Arturo Galansino, Director General of the Fondazione Palazzo Strozzi<\/strong>, <strong>KAWS THE MESSAGE<\/strong> contrasts not only with its location, which is starkly antithetical to the courtyard&#8217;s Renaissance architecture, but also with the current exhibition dedicated to Beato Angelico, reworking the theme of the Annunciation, one of the celebrated friar-painter&#8217;s favorite subjects. But that is precisely the purpose of this monumental installation: to create a short circuit between the old and the new, between tradition and contemporaneity.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/8-2.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-47341\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/8-2-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/8-2-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/8-2-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/8-2-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/8-2.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>KAWS THE MESSAGE<\/strong><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/9-4.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-47371\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/9-4-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/9-4-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/9-4-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/9-4-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/9-4.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>KAWS THE MESSAGE<\/strong><\/p>\n<p>I really like KAWS&#8217;s work, probably also because he&#8217;s often interacted with fashion (I remember a memorable Dior window display), but I think his characters, beyond their playful appearance, convey melancholy and vulnerability, as well as messages that are always very timely. In this work, in fact, the artist reinterprets a famous and sacred scene, that of the Annunciation, but inserts a fundamental element, the telephone, a device we all use compulsively these days and which probably fulfills a &#8220;sacred&#8221; role today.<\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/14-KAWS_portrait_photo-credit-Shaniqwa-Jarvis_800-1000.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-47377\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/14-KAWS_portrait_photo-credit-Shaniqwa-Jarvis_800-1000-240x300.jpg\" alt=\"\" width=\"240\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/14-KAWS_portrait_photo-credit-Shaniqwa-Jarvis_800-1000-240x300.jpg 240w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/14-KAWS_portrait_photo-credit-Shaniqwa-Jarvis_800-1000-768x960.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/14-KAWS_portrait_photo-credit-Shaniqwa-Jarvis_800-1000.jpg 800w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/><\/a>\u00a0 <a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/13-KAWS_UNTITLED-THE-MESSAGE_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-47375\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/13-KAWS_UNTITLED-THE-MESSAGE_-240x300.jpg\" alt=\"\" width=\"240\" height=\"300\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/13-KAWS_UNTITLED-THE-MESSAGE_-240x300.jpg 240w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/13-KAWS_UNTITLED-THE-MESSAGE_-768x960.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/13-KAWS_UNTITLED-THE-MESSAGE_.jpg 800w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/><\/a><\/p>\n<p><strong>The artist photographed by Shaniqwa Jarvis. Drawing by KAWS<\/strong><\/p>\n<p><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/9-3.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-47343\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/9-3-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/9-3-300x200.jpeg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/9-3-1024x682.jpeg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/9-3-768x512.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2025\/10\/9-3.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Palazzo Strozzi in Florence, an additional opportunity to visit the KAWS exhibition and that of Beato Angelico (open until January 25, 2026).<\/strong><\/p>\n<p>Good life everyone!<\/p>\n<p>Beatrice<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>KAWS: THE MESSAGE, in the courtyard of Palazzo Strozzi in Florence A work by Kaws, private collection KAWS: THE MESSAGE:\u00a0Florence, Courtyard of Palazzo Strozzi,\u00a0October 29, 2025 &#8211; January 25, 2026.<\/p>\n","protected":false},"author":2,"featured_media":48545,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77],"tags":[],"class_list":["post-47311","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>KAWS: THE MESSAGE | Beatrice Brandini Fashion Blog<\/title>\n<meta name=\"description\" content=\"KAWS: THE MESSAGE, in the courtyard of Palazzo Strozzi in Florence A work by 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