{"id":55936,"date":"2026-09-28T08:48:46","date_gmt":"2026-09-28T06:48:46","guid":{"rendered":"https:\/\/www.beatricebrandini.it\/museo-novecento-presents-victor-man\/"},"modified":"2026-09-28T08:50:42","modified_gmt":"2026-09-28T06:50:42","slug":"museo-novecento-presents-victor-man","status":"publish","type":"post","link":"https:\/\/www.beatricebrandini.it\/en\/museo-novecento-presents-victor-man\/","title":{"rendered":"Museo Novecento presents Victor Man"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/1-copertina-IMG_4577-1.jpg\"><img decoding=\"async\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/1-copertina-IMG_4577-1-1024x682.jpg\" alt=\"\" class=\"wp-image-55910\"\/><\/a><\/figure>\n\n<p><strong>Umbra Vitae, 2024 &#8211; 2025 Courtesy the Artist<\/strong><br\/><\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/2-Copertina_BB.jpg\"><img fetchpriority=\"high\" decoding=\"async\" width=\"714\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/2-Copertina_BB-714x1024.jpg\" alt=\"\" class=\"wp-image-55912\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/2-Copertina_BB-714x1024.jpg 714w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/2-Copertina_BB-209x300.jpg 209w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/2-Copertina_BB-768x1102.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/2-Copertina_BB.jpg 1047w\" sizes=\"(max-width: 714px) 100vw, 714px\" \/><\/a><\/figure>\n\n<p><b>The Muse in the Woods by Beatrice Brandini<\/b><\/p>\n\n<p>The<b> Museo Novecento <\/b>has dedicates all its ground-floor galleries to <b><i>Victor Man <\/i><\/b>with an eponymous exhibition curated by <b>Sergio Risaliti<\/b>, running until March 7, 2027.<\/p>\n\n<p>Twenty-five works are on display, featuring subjects ranging from motherhood, portraiture, and self-portraiture to still life and the female figure. Born in 1974 and based in Europe, Victor Man is already considered a major figure in contemporary painting.&#13;\n<\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/3-3.jpg\"><img decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/3-3-682x1024.jpg\" alt=\"\" class=\"wp-image-55914\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/3-3-682x1024.jpg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/3-3-200x300.jpg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/3-3-768x1152.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/3-3.jpg 853w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><\/a><\/figure>\n\n<p><strong>Maternity with legend, 2024. Private collection<\/strong><br\/><\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/4-1.jpg\"><img decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/4-1-682x1024.jpg\" alt=\"\" class=\"wp-image-55916\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/4-1-682x1024.jpg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/4-1-200x300.jpg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/4-1-768x1152.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/4-1.jpg 853w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><\/a><\/figure>\n\n<p><strong>Maternity (Curve Delle Anime), 2025. Courtesy the Artist<\/strong><\/p>\n\n<p>The works of this intriguing artist delve deep into the human soul, where\u2014alongside beauty and innocence\u2014every being harbors shadowy recesses and a profound melancholy.&#13;\n<\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/5-3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/5-3-682x1024.jpg\" alt=\"\" class=\"wp-image-55918\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/5-3-682x1024.jpg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/5-3-200x300.jpg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/5-3-768x1152.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/5-3.jpg 853w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><\/a><\/figure>\n\n<p><strong>Noapte Transfigurata, 2020 -2025. Private collection.<\/strong><br\/><\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/5-bis.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/5-bis-682x1024.jpg\" alt=\"\" class=\"wp-image-55920\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/5-bis-682x1024.jpg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/5-bis-200x300.jpg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/5-bis-768x1152.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/5-bis.jpg 853w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><\/a><\/figure>\n\n<p><strong>Red and Dark Haired Sister, 2017. Private collection<\/strong><\/p>\n\n<p>The exhibition brings together 25 paintings created between 2008 and 2026; they simultaneously celebrate life and underscore the inevitability of death. Indeed, the central theme of the first room is procreation, a motif recurring in works such as *Maternity (Curve Delle Anime)*, *Maternity with Legend*, and others. The final room features paintings dedicated to female figures.&#13;\n<\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/6-3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/6-3-682x1024.jpg\" alt=\"\" class=\"wp-image-55922\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/6-3-682x1024.jpg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/6-3-200x300.jpg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/6-3-768x1152.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/6-3.jpg 853w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><\/a><\/figure>\n\n<p><b>Sergio Risaliti, exhibition curator and Director of the Museo Novecento<\/b><\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/7-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/7-2-1024x682.jpg\" alt=\"\" class=\"wp-image-55924\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/7-2-1024x682.jpg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/7-2-300x200.jpg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/7-2-768x512.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/7-2.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n<p><strong>Reclining Maiden (Prelude of Equinox), 2025 &#8211; 2026. Private collection<\/strong><\/p>\n\n<p>Victor Man\u2019s painting is contemporary, intimate, and suspended in time. The dialogue between life and death feels entirely natural; it neither frightens nor intimidates us, for it is not an end, but rather memory and storytelling.&#13;\n<\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/8-4.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/8-4-682x1024.jpg\" alt=\"\" class=\"wp-image-55926\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/8-4-682x1024.jpg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/8-4-200x300.jpg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/8-4-768x1152.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/8-4.jpg 853w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><\/a><\/figure>\n\n<p><strong>Untitled 2013 Courtesy the Artist<\/strong><br\/><\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/9-3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/9-3-1024x682.jpg\" alt=\"\" class=\"wp-image-55928\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/9-3-1024x682.jpg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/9-3-300x200.jpg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/9-3-768x512.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/9-3.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n<p><b>A view of the Victor Man exhibition<\/b><\/p>\n\n<p>Sergio Risaliti recounts that it was Enzo Cucchi who first spoke to him about Victor Man. He subsequently saw Man\u2019s works on several occasions, eventually wishing to dedicate an entire exhibition to him. He describes being mesmerized\u2014while viewing the works at the Fondazione Sandretto Re Rebaudengo in Turin\u2014by \u200b\u200bthe depth, mystery, light, and originality of the creations.&#13;\n<\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/10-3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/10-3-682x1024.jpg\" alt=\"\" class=\"wp-image-55930\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/10-3-682x1024.jpg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/10-3-200x300.jpg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/10-3-768x1152.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/10-3.jpg 853w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><\/a><\/figure>\n\n<p><strong>A lelkek temet\u00f6je, der Friedhof der Seelen, 2019. Private collection<\/strong><br\/><\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/11-3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/11-3-682x1024.jpg\" alt=\"\" class=\"wp-image-55932\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/11-3-682x1024.jpg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/11-3-200x300.jpg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/11-3-768x1152.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/09\/11-3.jpg 853w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><\/a><\/figure>\n\n<p><b>Another view of the Victor Man exhibition<\/b><\/p>\n\n<p>Victor Man is a brilliant artist; his works invite us to observe them calmly, to pause for a moment in order to understand them. In a world that moves so fast\u2014where relationships have become difficult\u2014Victor\u2019s paintings tell a different story. They speak of life in its extraordinary facets, where passion, love, existence, and death coexist. And Victor Man whispers in our ear not to be afraid.&#13;\n<\/p>\n\n<p><b><i>Painting must silence the gaze.<\/i><\/b> Victor Man.<\/p>\n\n<p>Wishing you all the best!<\/p>\n\n<p>Beatrice<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Umbra Vitae, 2024 &#8211; 2025 Courtesy the Artist The Muse in the Woods by Beatrice Brandini The Museo Novecento has dedicates all its ground-floor galleries to Victor Man with an eponymous exhibition curated by Sergio Risaliti, running until March 7, 2027. Twenty-five works are on display, featuring subjects ranging from motherhood, portraiture, and self-portraiture to [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":55941,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77],"tags":[354,355],"class_list":["post-55936","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-museo-novecento-florence","tag-victor-man"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Museo Novecento presents Victor Man | Beatrice Brandini Fashion Blog<\/title>\n<meta name=\"description\" content=\"Umbra Vitae, 2024 - 2025 Courtesy the Artist The Muse in the Woods by Beatrice Brandini The Museo Novecento has dedicates all its ground-floor galleries | Beatrice Brandini Fashion Blog\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.beatricebrandini.it\/en\/museo-novecento-presents-victor-man\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Museo Novecento presents Victor Man | Beatrice Brandini Fashion Blog\" \/>\n<meta property=\"og:description\" content=\"Umbra Vitae, 2024 - 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