{"id":56326,"date":"2026-10-16T20:40:50","date_gmt":"2026-10-16T18:40:50","guid":{"rendered":"https:\/\/www.beatricebrandini.it\/danielle-mckinney-museo-novecento-grace\/"},"modified":"2026-10-16T20:48:57","modified_gmt":"2026-10-16T18:48:57","slug":"danielle-mckinney-museo-novecento-grace","status":"publish","type":"post","link":"https:\/\/www.beatricebrandini.it\/en\/danielle-mckinney-museo-novecento-grace\/","title":{"rendered":"Danielle Mckinney @ Museo Novecento, grace"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/1.jpeg\"><img fetchpriority=\"high\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/1-768x1024.jpeg\" alt=\"\" class=\"wp-image-56314\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/1-768x1024.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/1-225x300.jpeg 225w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/1.jpeg 960w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/a><\/figure>\n\n<p><b>Danielle Mckinney <\/b><b><i>Sweet Spot, <\/i><\/b><b>2024 Sandretto Re Rebaudengo collection<\/b><\/p>\n\n<p>From October 17, 2026, to February 28, 2027, the <b>Museo Novecento <\/b>presents <b><i>*Danielle Mckinney. Among Us*<\/i><\/b>\u2014a splendid exhibition curated by <b>Sergio Risaliti <\/b>and <b>Stefania Rispoli.<\/b><\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/2-Flowers-on-the-black-soul.jpg\"><img decoding=\"async\" width=\"846\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/2-Flowers-on-the-black-soul-846x1024.jpg\" alt=\"\" class=\"wp-image-56293\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/2-Flowers-on-the-black-soul-846x1024.jpg 846w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/2-Flowers-on-the-black-soul-248x300.jpg 248w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/2-Flowers-on-the-black-soul-768x930.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/2-Flowers-on-the-black-soul-1268x1536.jpg 1268w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/2-Flowers-on-the-black-soul.jpg 1498w\" sizes=\"(max-width: 846px) 100vw, 846px\" \/><\/a><\/figure>\n\n<p><strong><em>Flowers on the black soul by<\/em><\/strong><strong>\u00a0Beatrice Brandini<\/strong><\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/1-1.jpg\"><img decoding=\"async\" width=\"1024\" height=\"852\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/1-1-1024x852.jpg\" alt=\"\" class=\"wp-image-56291\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/1-1-1024x852.jpg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/1-1-300x250.jpg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/1-1-768x639.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/1-1-1536x1278.jpg 1536w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/1-1-2048x1704.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n<p><strong>Danielle Mckinney <em>Soliloquy<\/em>, 2025. Courtesy collection of KAWS<\/strong><\/p>\n\n<p>Defined as one of the most interesting voices on the contemporary scene (included by TIME among the 100 most influential people of 2026), Daniele Mckinney (Montgomery, Alabama, 1981) portrays wonderful women in a moment of intimacy, immersed in silent and elegant domestic environments. They are suspended figures, immersed in their thoughts, but also free and aware. Always enveloped in loving grace.&#13;\n<\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/3-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/3-2-682x1024.jpg\" alt=\"\" class=\"wp-image-56319\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/3-2-682x1024.jpg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/3-2-200x300.jpg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/3-2-768x1152.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/3-2.jpg 853w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><\/a><\/figure>\n\n<p><b>Danielle Mckinney <\/b><b><i>NOOK,<\/i><\/b><b> 2023. Courtesy Sandretto Re Rebaudengo collection<\/b><\/p>\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/4-bis.jpeg\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/4-bis-768x1024.jpeg\" alt=\"\" class=\"wp-image-56321\" style=\"width:768px;height:auto\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/4-bis-768x1024.jpeg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/4-bis-225x300.jpeg 225w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/4-bis.jpeg 960w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/a><\/figure>\n\n<p><strong>Danielle Mckinney <\/strong><strong><em>Prophecy, <\/em><\/strong><strong>2025. Pivate collection<\/strong><\/p>\n\n<p>The paintings of this talented American artist are distinguished by an intense use of light and color against dark backgrounds, reminiscent of the *chiaroscuro* of Caravaggio. Having started her career as a photographer\u2014a background that has clearly left its mark\u2014her compositions often reflect cinematic and scenographic influences.&#13;\n<\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/4-.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"861\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/4--861x1024.jpg\" alt=\"\" class=\"wp-image-56323\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/4--861x1024.jpg 861w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/4--252x300.jpg 252w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/4--768x914.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/4-.jpg 1076w\" sizes=\"(max-width: 861px) 100vw, 861px\" \/><\/a><\/figure>\n\n<p><strong>Danielle Mckinney <\/strong><strong><em>APEX<\/em><\/strong><strong>, 2025. Private Collection<\/strong><\/p>\n\n<p>Her works reflect universal themes such as solitude, female identity, introspection, and the relationship between the observer and the observed.&#13;\nAt the same time, however, these women are conscious of their own femininity and independence. It is not a nostalgic or melancholy solitude; rather, it is one that is aware of\u2014and proud of\u2014its own freedom.&#13;\n<\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/5-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/5-1-682x1024.jpg\" alt=\"\" class=\"wp-image-56299\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/5-1-682x1024.jpg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/5-1-200x300.jpg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/5-1-768x1152.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/5-1.jpg 853w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><\/a><\/figure>\n\n<p><strong>Danielle Mckinney <\/strong><strong><em>ABYSS<\/em><\/strong><strong>, 2022. Private Collection<\/strong><\/p>\n\n<p>Her paintings also contain references to great artists such as Picasso and Matisse.&#13;\n<\/p>\n\n<p>The beauty of this exhibition lies not only in McKinney\u2019s own\u2014admittedly stunning\u2014works, but also in the relationship between her paintings and those of 20th-century Italian artists, including Arturo Martini, Felice Casorati, and Giorgio Morandi. It is a perfect dialogue in which the sense of different eras dissolves, leaving everything feeling entirely cohesive and harmonious.&#13;\n<\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/6-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/6-1-1024x682.jpg\" alt=\"\" class=\"wp-image-56301\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/6-1-1024x682.jpg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/6-1-300x200.jpg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/6-1-768x512.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/6-1.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n<p><b>A wonderful view of the exhibition <\/b><b><i>*Danielle McKinney: Among Us* <\/i><\/b><b>(*Tra noi*), featuring the work <\/b><b><i>*PROPHECY*<\/i><\/b><b> in the background, alongside a 1939 bronze sculpture by Luigi Broggini. Civic Museums of Florence, Alberto Della Ragione Collection.<\/b><\/p>\n\n<p>Also noteworthy are the poetic excerpts\u2014selected by Elisa Biagini\u2014that accompany the rooms and paintings. Biagini sought to give voice to other women, creating an interwoven tapestry of sensibilities that feels perfectly coherent.&#13;\n<\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/7-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/7-1-682x1024.jpg\" alt=\"\" class=\"wp-image-56303\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/7-1-682x1024.jpg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/7-1-200x300.jpg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/7-1-768x1152.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/7-1.jpg 853w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><\/a><\/figure>\n\n<p><b>Danielle McKinney at the press conference, alongside the Councilor for Culture, Giovanni Bettarini.<\/b><\/p>\n\n<p>The exhibition also conveys a beautiful message\u2014eloquently articulated by Stefania Rispoli during the press conference\u2014inviting us to slow down the pace of our lives and observe things with greater attention (McKinney\u2019s paintings, defined by small yet essential details, are a perfect example of this). It encourages us to rediscover the value of silence, personal freedom, and time dedicated to oneself.&#13;\n<\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/8-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/8-1-1024x768.jpg\" alt=\"\" class=\"wp-image-56305\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/8-1-1024x768.jpg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/8-1-300x225.jpg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/8-1-768x576.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/8-1.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n<p><b>A beautiful image of Danielle Mckinney, with *Second Wind* in the background<\/b><\/p>\n\n<p>Because Danielle McKinney\u2019s painting reminds us of precisely this: that beauty lies in simplicity, and that moments of solitude can harbor a profound emotional intensity.&#13;\n<\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/9-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/9-1-1024x682.jpg\" alt=\"\" class=\"wp-image-56307\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/9-1-1024x682.jpg 1024w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/9-1-300x200.jpg 300w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/9-1-768x512.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/9-1.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n<p><b>A wonderful glimpse of the exhibition *<\/b><b><i>Danielle McKinney: Among Us* <\/i><\/b><b>(*Tra noi*); in the foreground, <\/b><b><i>*La pisana* <\/i><\/b><b>by Arturo Martini (1932). Civic Museums of Florence, Alberto Della Ragione Collection.<\/b><\/p>\n\n<p>This is an exhibition I highly recommend seeing. To be honest, I wasn\u2019t familiar with this artist before, but I found her work\u2014and the message behind it\u2014delightful, yet powerful. Danielle Joy McKinney herself is a woman full of grace\u2014refined and elegant, yet also remarkably simple and gentle\u2014much like her paintings.&#13;\n<\/p>\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/10-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/10-2-682x1024.jpg\" alt=\"\" class=\"wp-image-56311\" srcset=\"https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/10-2-682x1024.jpg 682w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/10-2-200x300.jpg 200w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/10-2-768x1152.jpg 768w, https:\/\/www.beatricebrandini.it\/wp-content\/uploads\/2026\/10\/10-2.jpg 853w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><\/a><\/figure>\n\n<p><strong>Danielle Mckinney <\/strong><strong><em>EVENTIDE<\/em><\/strong><strong>, 2024. Courtesy Cingilli Collection<\/strong><\/p>\n\n<p>Share this exhibition with the people you love\u2014especially your children, who might discover a different kind of femininity, one far removed from what is often portrayed on social media and in modern mass media.&#13;\n<\/p>\n\n<p>Wishing you all a wonderful life!<\/p>\n\n<p>Beatrice<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Danielle Mckinney Sweet Spot, 2024 Sandretto Re Rebaudengo collection From October 17, 2026, to February 28, 2027, the Museo Novecento presents *Danielle Mckinney. Among Us*\u2014a splendid exhibition curated by Sergio Risaliti and Stefania Rispoli. Flowers on the black soul by\u00a0Beatrice Brandini Danielle Mckinney Soliloquy, 2025. Courtesy collection of KAWS Defined as one of the most [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":56294,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77],"tags":[379,380,384,382],"class_list":["post-56326","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-danielle-mckinney","tag-museo-novecento","tag-s-m-novella-fi-2","tag-usa"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Danielle Mckinney @ Museo Novecento, grace | Beatrice Brandini Fashion Blog<\/title>\n<meta name=\"description\" content=\"Danielle Mckinney Sweet Spot, 2024 Sandretto Re Rebaudengo collection From October 17, 2026, to February 28, 2027, the Museo Novecento presents *Danielle | Beatrice Brandini Fashion Blog\" \/>\n<meta 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